At Benson Lock
Sunflower, October 2019
Depth of (Oudolf) Field (2)
Depth of (Oudolf) Field (1)
Depth of (Oudolf) Field (3)
Caen Hill in the Dawn during July
Monuments
Locksbrook No.5
30 Years
Locksbrook No.10
Danser Le Théâtre
A Ribbon in a Tree at Avebury
Allium
In Canyons 441
In Canyons 442
Tree Moss 011
In Canyons 443
Trees In Water 160
Places - Chippenham
Places - Weymouth
Places - Salisbury
In Canyons 446
Lakeside Fog 056
Fruit Bowl
Thicket Details 083
Valentine Fountain Pen
Freezing Over 022
Going Home (2020 Edit)
Hydrangea 2014
In Canyons 458
Pine Detail 002
Forest In Fog 023
In Canyons 459
Soft at f/1.4
Domke F-6 Sand
08.45 Entrance
08.52 Ivy
08.49 Overhanging Leaves
Frocks and Books
Frocks
Untidy Bookshelf
Car Wash
Brick Wall in September (2)
Bike Spanner
Pegs by Helios-44
Mixed Border
Blind Man's Buff
Steeple Ashton - The Church
The Train Approaching Cranmore West
Full Steam Ahead!
Motherhood
Passengers
Engine Driver
Telephoto
Mendip Vale Platform Scene
Uwin Sports Wear
Fruit and Veg Market Stall
DMU in a Siding
Argyle Street from Laura Place
Kellaways Railings (Depth of Field)
Baby
Handlebars
Yellow Riot
Open Doors
The Lupin Express
See also...
Pentacon, Tessar, Carl Zeiss Jena, Helios and Jupiter Photos
Pentacon, Tessar, Carl Zeiss Jena, Helios and Jupiter Photos
Keywords
Authorizations, license
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Bricks and Mortar
I used a Canon EOS 30D with a Pentacon 50mm f/1.8 lens mounted via an EOS - M42 adapter. The lens came with a Praktica MTL5 camera and the two cost me £12.50.
The Pentacon f/1.8 50mm is the last version of the Meyer-Optik "Oreston" f/1.8 50mm. It performs better than I had remembered, notwithstanding that using it on the EOS 30D was hopeless for metering the light and I fell back on the "Sunny 16" rule. I was also glad to have Lightroom in which to edit the original RAW image.
The Pentacon f/1.8 50mm is the last version of the Meyer-Optik "Oreston" f/1.8 50mm. It performs better than I had remembered, notwithstanding that using it on the EOS 30D was hopeless for metering the light and I fell back on the "Sunny 16" rule. I was also glad to have Lightroom in which to edit the original RAW image.
Steve Bucknell, Arlequin Photographie, Jean-luc Drouin have particularly liked this photo
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