fuente
View Through Trees
Opposite Dunham Park.
Victoria's Butchart Gardens, Part 6: More Begonias…
Shadows
Shadow and Light
SouthGate Shopping Centre, Bath
Shadow at one o'clock
Early Friday morning
Tenba, by Nikkor-H 50mm f/2 circa 1971
Die Zeit wirft ihre Schatten voraus
Sehstück 8/50 - Auf der Fähre
knocker
Canal du Midi
hand shadows-1
hand shadows-2
Bike
Shadow on the white wall
Avebury 15 July 2011
Old man in the shady side
The big shadow
Murky ...
Natale alla porta
Please take off your shoes
On campus
Zaun-Spiegelung im Hechtsee
auch ein Zaun :-)
Shadow on the wall*
Just Cool
alla luce del tramonto
IMG 6070-001-Two Temple Place Window 1
IMG 6071-001-Two Temple Place Window 2
Red Onion Photographed with a Chinon 55mm f/1.4 Le…
triste abbandono
Public Information
Black 'n' Blue
08.51 Dilapidated Doors
Treasures from the vaults
steel, line and shadow
Brick Wall in September (1)
Brick Wall in September (2)
Red Curtains
Texting
Blue Jumper
Passing Clouds.
Steeple Ashton - Shadow Cast on an Outside Door
Curve
Blanket on a Washing Line
Bedroom Chair
Sunlit Alley
Triangles
il lampione fantasma
Bridge (B&W)
Sunlight After Darkness
shadows
all'incrocio
An Open Door
HFF everyone.
Breakfast
Mr Nobody wearing a funny mask
Netherlands - Hargen aan Zee
light on dark forest floor DSC 3553
Cloudy Sky Over St. Giles's Churchyard
l'ombra della persiana
Luigi
See also...
Pentacon, Tessar, Carl Zeiss Jena, Helios and Jupiter Photos
Pentacon, Tessar, Carl Zeiss Jena, Helios and Jupiter Photos
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
179 visits
Washing on the Line in the Alley
I used a Canon EOS 30D with a Pentacon 50mm f/1.8 lens mounted via an EOS - M42 adapter. The lens came with a Praktica MTL5 camera and the two cost me £12.50.
The Pentacon f/1.8 50mm is the last version of the Meyer-Optik "Oreston" f/1.8 50mm. It performs better than I had remembered, notwithstanding that using it on the EOS 30D was hopeless for metering the light and I fell back on the "Sunny 16" rule. I was also glad to have Lightroom in which to edit the original RAW image.
The Pentacon f/1.8 50mm is the last version of the Meyer-Optik "Oreston" f/1.8 50mm. It performs better than I had remembered, notwithstanding that using it on the EOS 30D was hopeless for metering the light and I fell back on the "Sunny 16" rule. I was also glad to have Lightroom in which to edit the original RAW image.
Steve Bucknell has particularly liked this photo
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
The Limbo Connection club has replied to Steve Bucknell clubThere is an arched window in an old stone building under a slate roof in the background. The sky is blue and the light is strong, casting deep shadow. Maybe a connection to a chapel.
Nice to have you roaming over the photographs again, Steve.
Sign-in to write a comment.