Last Supper
Fig.79
Fig. 81 ~ Leda and the Swan
Fig. 97. Michelangelo's David
Fig.120
Fig.133 Pointing Lady
"Figure 134. The 'Mona Lisa'
A green bench
Roses
From Portugal to India c. 1500
Vasco da Gama
Years ago
Waimea Trees
Kartikeya / Muruga
Goa at the time of Albuquerque
Chicken 65
THE NATIONAL GEOGRAPHIC MAGAZINE ~ JUNE 1931
Soil
Morning
Fig. 69
Fig. 65
Leonardo da Vinci - illustraion for virtue and env…
Fig., 35
Fig. 44 Leonardo's 'Vitruvian Man'
Fig. 37
Crab Apple
Bus stop
99 C. only
Red, Red Rose
Fig. 17 Saint Jerome in the Wilderness
Figure 14. Ginevra de' Benci
Figure 8
Figure 11
# 2859
Halal *
Sticker
A Wall without any sprills
Figure 4
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Fig. 78
Madonna of the 'Yarnwinder' (Lansdowne version)
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The emotional power of the ‘Yarnwinder’ scene comes from the psychological complexity and intensity of the Baby Jesus as he contemplates and grapples with the yarnwinder, which is in the shape of a cross. Other painters had shown Jesus looking at objects that foretold the Passion, as Leonardo had done in the devotional paintings of Madonna and Child he had made Benois Madonna and the other little paintings in his early years. But the ‘Yarnwinder’ paintings are energized by what had become Leonardo’s special ability to convey a psychological narrative. ` Page 309
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