Fig. 78
Last Supper
Fig.79
Fig. 81 ~ Leda and the Swan
Fig. 97. Michelangelo's David
Fig.120
Fig.133 Pointing Lady
"Figure 134. The 'Mona Lisa'
A green bench
Roses
From Portugal to India c. 1500
Vasco da Gama
Years ago
Waimea Trees
Kartikeya / Muruga
Goa at the time of Albuquerque
Chicken 65
THE NATIONAL GEOGRAPHIC MAGAZINE ~ JUNE 1931
Soil
Fig. 65
Leonardo da Vinci - illustraion for virtue and env…
Fig., 35
Fig. 44 Leonardo's 'Vitruvian Man'
Fig. 37
Crab Apple
Bus stop
99 C. only
Red, Red Rose
Fig. 17 Saint Jerome in the Wilderness
Figure 14. Ginevra de' Benci
Figure 8
Figure 11
# 2859
Halal *
Sticker
A Wall without any sprills
Figure 4
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Fig. 69
La Belle Ferronniere
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In this portrait, Leonardo also continued to experiment with his haunting method of creating a stare or gaze that seems to follow a viewer around a room. This ‘Mono Lisa effect’ is not magical; it simply comes from drawing a realistic set of eyes staring directly at the viewer with proper perspective, shading, and modeling. But Leonardo discovered that the effect works best when the gaze is intense and the eyes slightly off-kilter, thus making it more noticeable. He was refining the technique he had used in ‘Ginevera de’ Benci.’ stare seems slightly averted and distant, until you look at each eye individually and directly; then you see that each of its own way is looking at you. ~ Page 247
Schöne Grüße und einen guten Abend
Erich
Have a lovely evening
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