Resurrection.
Main altar.
Verso Fontignano.
A quiet morning.
Fog in July.
Fog in July.
Foggy summer morning.
Cena a Panicale.
Sun is back.
Wheat fields.
M'ama, non m'ama, m'ama...
The new vineyard is growing.
The fish pond.
From Van Gogh to Andy Warhol 1.
From Van Gogh to Andy Warhol 2.
On my table.
For E.❤️
Strow art.
Ode to summer.
Open fruit.
A bunch of roses.
Melograno.
A melancholic sunset.
The exit.
Madonna enthroned with Child.
The interior.
Il Duomo di Orvieto.
Gothic beauty.
Sideview.
This morning I woke up early.
Pensando
.. si va per tornare.
La bici sotto il portico.
A romantic place
Happy new week:)
N°32
Fishing net.
Isola Maggiore.
Sul Lago Trasimeno
A hot sunday.
Lavender and rosemary hedge.
S U M M E R.
Summer flowers.
Disclosure.
A special flower for a special day.
See also...
Authorizations, license
-
Visible by: Everyone -
All rights reserved
- Photo replaced on 08 Jul 2020
-
302 visits
Hell.
Chapel of San Brizio.
This chapel was a fifteenth-century addition to the cathedral. The construction of this chapel (also known as the Cappella Nuova and Signorelli chapel) was started in 1408 and completed in 1444.
HERE A DETAIL
The Damned are taken to Hell and received by Demons is in stark contrast to the previous one. Signorelli has gone to the extremes of his fantasy and evocative powers to portray his cataclysmic vision of the horrible fate, the agony and the despair of the damned. He uses the naked human body as his only expressive element, showing the isolated bodies entangling each other, merging in a convoluted mass. They are overpowered by demons in near-human form, depicted in colours of every shade of decomposing flesh. Above them, a flying demon transports a woman. This is probably a depiction of the Whore of the Apocalypse.
This chapel was a fifteenth-century addition to the cathedral. The construction of this chapel (also known as the Cappella Nuova and Signorelli chapel) was started in 1408 and completed in 1444.
HERE A DETAIL
The Damned are taken to Hell and received by Demons is in stark contrast to the previous one. Signorelli has gone to the extremes of his fantasy and evocative powers to portray his cataclysmic vision of the horrible fate, the agony and the despair of the damned. He uses the naked human body as his only expressive element, showing the isolated bodies entangling each other, merging in a convoluted mass. They are overpowered by demons in near-human form, depicted in colours of every shade of decomposing flesh. Above them, a flying demon transports a woman. This is probably a depiction of the Whore of the Apocalypse.
Chris10, Eike Biel, vero, Ernest CH and 40 other people have particularly liked this photo
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Wonderfully captured, Annemarie
Sign-in to write a comment.