Bankersnatched by the Bandersnatch
Snarked: Henry George Liddell
Henry George Liddell in "The Hunting of the Snark"
Darwin's Fireplace and the Baker's Dear Uncle
The Bellman and Sir Henry Lee (no marks)
IT WAS A BOOJUM (bw)
The Boojum sitting on some of the 42 boxes
TruthProof
Lacing Pillow
Thomas Cranmer's Burning
Nosemorph
Henry Holiday & John Martin
The Vanishing and the Gneiss Rock
The Bellman and Charles Darwin
Adriano Orefice: La cerca dello Squallo
Bellmen on the Rocks
The Butcher & the young Raleigh (details)
Bellman & Bard
Bellman & Bard
Bellman & Bard after retinex filtering
Where do Boojums live?
Bellman & Bard after retinex filtering
Holiday - Millais - Anonymous - Galle; detail
jub jub jub jub jub jub jub jub jub jub jub jub ..…
The Broker's and the Monk's Nose
The Broker's and the Monk's Nose (with a little he…
Monster Nose
The Monster in the Branches
The Uncle over Darwin's Fireplace
Two Noses
So great was his fright that his waistcoat turned…
The Bankers Fate
Two Bone Players
Again: What I tell you three times is true!
IT WAS A BOOJUM
Herbs & Horses
White Spot
The Billiard marker
Snarked Workplace
The Billiard Marker & Henry George Liddell
Carroll's Barrister's Dream
Dream Snarks
Ceci n'est pas une cloche
Paradise Lost and the Beaver's Lesson
Darwins snarked Study
About my Snark hunt
John Martin's Bard and Henry Holiday's Snark Illus…
The Banker and The Bonnetmaker
Fun with Allusions
Grünewald and Holiday
Easter Greeting
Henry Holiday's Snark Hunt on Bēhance
Recycled Bellman Draft
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Beagle Laid Ashore & Snarked
Mary's and the Baker's Kerchiefs
The Expression of Emotions
Thomas Cranmer's Burning
Seeing Letters, Skulls and Faces
Pig Band
Schnarkverschlimmbesserung
6 Sources to the Beaver's Lesson
Holiday and Gheeraerts I
The Baker's 42 Boxes
Weeds turned Horses (2)
The Carpenter and Ahasuerus
From Doré's Root to Holiday's Rat
42 Boxes meet the Iconoclasts
Bellmen
Thumb & Lappet
Gnarly Monstrance
Bard and Bellman
Bonnet Head
Billiard-Marker & Henry George Liddell
Snark Hunt: Square One
Hidden Carrol
Thomas Cramer's hand?
"But if ever I meet with a Boojum, that day, I sha…
The Snark in your Dreams
The Butcher and Benjamin Jowett
Beagle and Beagle?
The Bell?
Ditchley Snark
Ditchley Snark
IT WAS A BOOJUM
While he rattled a couple of bones
While he rattled a couple of bones
What I tell you three times is true!
Crossing the Line
Anne I?
Tree of Life
The Bellman and Father Time
Snark Hunting with the HMS Beagle
Inspiration by Reinterpretation
The Bellman and Sir Henry Lee
Star and Tail
William III, Religion and Liberty, Care and Hope
Darwin's Study and the Baker's Uncle
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
42 Boxes, Sheep, Iconoclasm
Thomas Cranmer's 42 Boxes
With yellow kid gloves and a ruff
The Bandersnatch fled as the others appeared
The Paranoiac-Critical Method serves the Art of De…
Weeds turned Horses (BW)
Weeds turned Horses
Weeds turned Horses (detail)
Monster Face
Monster Feet
The Bard (detail)
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Holiday - Millais- Anonymous - Galle, detail
#1 - (allusion to the bedpost #3): 1876, Henry Holiday: Segment of an illustration to Lewis Carroll's The Hunting of the Snark (vectorized after a scan from an 1911 edition of the Snark)
#2 - (allusion to the bedpost #3 and to Philip Galle's print #4): 1850, the young John the Baptist in John Everett Millais: Christ in the House of His Parents (aka The Carpenter's Shop). The left leg of the boy looks a bit deformed. This is no mistake. Probably Millais referred to #3 and to #4.
#3 - (Henry VIII's bedpost): 16th century, anonymous: Redrawn segment of Edward VI and the Pope, An Allegory of Reformation, (mirror view).
#4 - (bedpost #3 alludes to bedpost #4): 1564, Redrawn segment of a print Ahasuerus consulting the records by Philip Galle after Maarten van Heemskerck. The resemblance of #4 to the image #3 (the bedpost) was shown by the late Dr. Margaret Aston in 1994 in The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (p. 68). She also compared the bedpost to Heemskerck's Esther Crowned by Ahasuerus.
#2 - (allusion to the bedpost #3 and to Philip Galle's print #4): 1850, the young John the Baptist in John Everett Millais: Christ in the House of His Parents (aka The Carpenter's Shop). The left leg of the boy looks a bit deformed. This is no mistake. Probably Millais referred to #3 and to #4.
#3 - (Henry VIII's bedpost): 16th century, anonymous: Redrawn segment of Edward VI and the Pope, An Allegory of Reformation, (mirror view).
#4 - (bedpost #3 alludes to bedpost #4): 1564, Redrawn segment of a print Ahasuerus consulting the records by Philip Galle after Maarten van Heemskerck. The resemblance of #4 to the image #3 (the bedpost) was shown by the late Dr. Margaret Aston in 1994 in The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (p. 68). She also compared the bedpost to Heemskerck's Esther Crowned by Ahasuerus.
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