Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
From Doré's Root to Holiday's Rat
Holiday - Millais - Anonymous - Galle
Kerchiefs and other shapes
Darwin's Study and the Baker's Uncle
William III, Religion and Liberty, Care and Hope
Star and Tail
The Bellman and Sir Henry Lee
Inspiration by Reinterpretation
Snark Hunting with the HMS Beagle
The Bellman and Father Time
Tree of Life
Anne I?
Crossing the Line
While he rattled a couple of bones
While he rattled a couple of bones
IT WAS A BOOJUM
Ditchley Snark
Ditchley Snark
The Bell?
Beagle and Beagle?
The Snark in your Dreams
"But if ever I meet with a Boojum, that day, I sha…
Thomas Cramer's hand?
Hidden Carrol
Snark Hunt: Square One
Billiard-Marker & Henry George Liddell
Priest in the Mouth
Bonnet Head
Bard and Bellman
Gnarly Monstrance
Thumb & Lappet
Bellmen
42 Boxes meet the Iconoclasts
From Doré's Root to Holiday's Rat
The Carpenter and Ahasuerus
Weeds turned Horses (2)
The Baker's 42 Boxes
Holiday and Gheeraerts I
6 Sources to the Beaver's Lesson
Holiday - Millais- Anonymous - Galle, detail
Bankersnatched by the Bandersnatch
Snarked: Henry George Liddell
Henry George Liddell in "The Hunting of the Snark"
Darwin's Fireplace and the Baker's Dear Uncle
The Bellman and Sir Henry Lee (no marks)
IT WAS A BOOJUM (bw)
The Boojum sitting on some of the 42 boxes
Lacing Pillow
Thomas Cranmer's Burning
Nosemorph
Henry Holiday & John Martin
The Vanishing and the Gneiss Rock
Henry Holiday
Bellmen on the Rocks
The Butcher & the young Raleigh (details)
Bellman & Bard
Bellman & Bard
Bellman & Bard after retinex filtering
Bellman & Bard for B&W printing
Where do Boojums live?
Bellman & Bard after retinex filtering
Thomas Cranmer's 42 Boxes
With yellow kid gloves and a ruff
The Bandersnatch fled as the others appeared
The Paranoiac-Critical Method serves the Art of De…
Weeds turned Horses (BW)
Weeds turned Horses
Weeds turned Horses (detail)
Monster Face
Monster Feet
The Bard (detail)
h40
h12
h10
h01
h00
h11
h20
h30
h50
h60
h70
h80
h90
h91
An Expedition Team
Holiday - Millais - Anonymous - Galle
Holiday - Millais- Anonymous - Galle, detail
Holiday and Gheeraerts I
Henry Holiday's and M.C. Escher's allusions to Joh…
Hennry Holiday, the Bonnetmaker and a Bonnet
Doré (1863), Holiday (1876), Doré (1866)
The Hunting Of The Snark
A Nose Job
Henry Holiday alluding to John Martin
The Hunting of the Snark
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42 Boxes, Sheep, Iconoclasm
[left]: Segment from Henry Holiday's depiction of the Baker's visit to his uncle (1876) in Lewis Carroll's The Hunting of the Snark. Outside of the window are some of the Baker's 42 boxes.
[center]: Segment from John Everett Millais: Christ in the House of His Parents (1850).
[right]: segment from Edward VI and the Pope, An Allegory of Reformation, mirrored view (Anonymous, 16th century); depiction of iconoclasm. In The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (1994, p. 72), the late Margaret Aston compared the iconoclastic scene to prints depicting the destruction of the Tower of Babel (Philip Galle after Maarten van Heemskerck, 1567). From Margaret Aston's book I learned that the section showing the iconoclasm scene is an inset, not a window. Actually, I think, it is an inset which was meant to be perceived as a window as well.
·
Holiday quoted pictorial elements from both paintings [center, right]. I assume that he must have noticed, that Millais quoted from the 16th century painting.
[center]: Segment from John Everett Millais: Christ in the House of His Parents (1850).
[right]: segment from Edward VI and the Pope, An Allegory of Reformation, mirrored view (Anonymous, 16th century); depiction of iconoclasm. In The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (1994, p. 72), the late Margaret Aston compared the iconoclastic scene to prints depicting the destruction of the Tower of Babel (Philip Galle after Maarten van Heemskerck, 1567). From Margaret Aston's book I learned that the section showing the iconoclasm scene is an inset, not a window. Actually, I think, it is an inset which was meant to be perceived as a window as well.
·
Holiday quoted pictorial elements from both paintings [center, right]. I assume that he must have noticed, that Millais quoted from the 16th century painting.
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J. E. Millais
Thomas Cranmer's 42 Boxes
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