Sofia Scalchi by Wesenberg
Lodovico Graziani by Wesenberg
Wilhelmina Raab by Wesenberg (2)
Fyodor Komissartschevsky by Bergamasco (3)
Gian Francesco Angelini by Bergamasco
Francesco Graziani by Bergamasco
Enrico Calzolari by Bergamasco
Caroline Salla by Bergamasco
Marie Sasse by Reutlinger (2)
Marie Sasse by Carjat
Joakim Tartakov by Wesenberg
Eugenia Mravina by Wesenberg
Sigrid Arnoldson by Wesenberg
Leonid Yakovlev by Wesenberg
Ivan Melnikov by Wesenberg (2)
Ivan Melnikov by Wesenberg (1)
Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Wilhelmina Raab and Ivan Melnikov by Wesenberg
Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Maria Deysha-Sionitzkaya by Wesenberg
Wilhelmina Raab by Wesenberg (1)
Josef Paleček and Wilhelmina Raab by Wesenberg
Fyodor Stravinsky by Wesenberg (3)
Fyodor Stravinsky by Wesenberg (2)
Fyodor Stravinsky by Wesenberg (1)
Elias Nathan by Franck
Emilio Pancani by Lehmann
Emilio Pancani's autograph at the back
Gustave Roger by Portier
Gustave Roger's autograph at the back
Enrico Tamberlick by Unknown
Franz Betz by Unknown
Amalie Materna by Atelier Rembrandt
Therese Vogl by Müller
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Maria Dolina by Wesenberg
Maria Dolina, born Maria Ivanovna Sajuschkina Gorlenko (1868-1919); Russian contralto.
Her voice was discovered by Garcia-Wilde and trained mainly by Kondratiev. Final studies were carried out with Carelli in Naples, with Mastriani in Milan and finally in Paris. In 1886 she made her debut at the Marienskij Theatre in St. Petersburg as Vanya in Glinka's "A life for the Tsar" (Ivan Susanin). She was engaged immediately and remained at the Mariiinsky until 1904. Here in 1890 she sang at the premiere of Borodin's "Prince Igor" under the direction of Edouard Naprawnik. Also in 1890 she created the role of Polina at the premiere of Tchaikovsky's "Pique Dame/Queen of spades" and from the same composer in 1892 the role of Laura in "Iolanta". In 1896 she sang at the Mariinsky the role of Hansel in the Russian premiere of Humperdinck 's "Hansel and Gretel". She made guest appearances in Moscow and other Russian theaters and abroad in Paris, Berlin, Vienna, Budapest, Constantinopel, Sofia, Belgrad, Zagreb, Dresden and Rouen. Her repertoire consisted of more than 50 roles, mostly in the field of Russian and French Opera. As a concert singer she was very successfully in a vast repertoire.
Her voice was discovered by Garcia-Wilde and trained mainly by Kondratiev. Final studies were carried out with Carelli in Naples, with Mastriani in Milan and finally in Paris. In 1886 she made her debut at the Marienskij Theatre in St. Petersburg as Vanya in Glinka's "A life for the Tsar" (Ivan Susanin). She was engaged immediately and remained at the Mariiinsky until 1904. Here in 1890 she sang at the premiere of Borodin's "Prince Igor" under the direction of Edouard Naprawnik. Also in 1890 she created the role of Polina at the premiere of Tchaikovsky's "Pique Dame/Queen of spades" and from the same composer in 1892 the role of Laura in "Iolanta". In 1896 she sang at the Mariinsky the role of Hansel in the Russian premiere of Humperdinck 's "Hansel and Gretel". She made guest appearances in Moscow and other Russian theaters and abroad in Paris, Berlin, Vienna, Budapest, Constantinopel, Sofia, Belgrad, Zagreb, Dresden and Rouen. Her repertoire consisted of more than 50 roles, mostly in the field of Russian and French Opera. As a concert singer she was very successfully in a vast repertoire.
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