Emilio Pancani's autograph at the back
Emilio Pancani by Lehmann
Elias Nathan by Franck
Fyodor Stravinsky by Wesenberg (1)
Fyodor Stravinsky by Wesenberg (2)
Fyodor Stravinsky by Wesenberg (3)
Josef Paleček and Wilhelmina Raab by Wesenberg
Wilhelmina Raab by Wesenberg (1)
Maria Deysha-Sionitzkaya by Wesenberg
Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Wilhelmina Raab and Ivan Melnikov by Wesenberg
Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Ivan Melnikov by Wesenberg (1)
Ivan Melnikov by Wesenberg (2)
Leonid Yakovlev by Wesenberg
Maria Dolina by Wesenberg
Sofia Scalchi by Wesenberg
Lodovico Graziani by Wesenberg
Wilhelmina Raab by Wesenberg (2)
Fyodor Komissartschevsky by Bergamasco (3)
Gian Francesco Angelini by Bergamasco
Francesco Graziani by Bergamasco
Gustave Roger's autograph at the back
Enrico Tamberlick by Unknown
Franz Betz by Unknown
Amalie Materna by Atelier Rembrandt
Therese Vogl by Müller
Bertha Ehnn by Mahlknecht (2)
Bertha Ehnn by Gertinger (2)
Bertha Ehnn by Gertinger (1)
Albert Niemann by Albert
Lodovico Graziani by Mahlknecht
Franz Nachbaur by Albert
Pauline Lucca by Graf (3) with autograph
Pauline Lucca and Albert Niemann by Lehmann
Ludwig Schnorr von Carolsfeld and Malvina Garrigue…
Malvina Garrigues by Holzer (2)
Malvina Garrigues ' autograph at the back
Ludwig Schnorr von Carolsfeld by Holzer (2)
Adelina Patti by Bergamasco (8)
Adelina Patti by Bergamasco (7)
Adelina Patti by Bergamasco (6)
Adelina Patti by Bergamasco (5)
Adelina Patti by Adèle
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Gustave Roger by Portier
Gustave Roger (1815-1879); French tenor who sang in numerous premières. The most known are: Jean de Leyde in Meyerbeer's "Le prophète" (1849), Azaël in Auber's "L'enfant prodigue" (1850), Léon in Halevy's "Le juif errant" (1852) and Horace in Gounod's "La colombe" (1860). In 1838 he made his debut at the Opéra-Comique Paris as George in Halévy's "L'Éclair". During the following ten years, he was one of the most famous singers of the Opéra-Comique. In 1849 he was engaged by the Grand Opéra Paris where he made his debut as Jean de Leyde in Meyerbeer's "Le Prophète" with Pauline Viardot as Fidès. In the 1850s he undertook numerous guest appearances in Germany where he also sang in the German language. In 1851 and 1859 he appeared at the Berliner Hofoper, in 1851/52, 1854 and 1857 at the Stadttheater von Hamburg, in 1851 at the Hofoper von Dresden and in many other German cities. Due to a hunting accident in 1859 he lost his right arm. Until 1862 he remained at the Opéra-Comique and until 1868 he made guest appearances (Brussels, Prague etc). In 1868 he received his appointment as professor at the Conservatoire National in Paris. In 1880 his memories were published under the title "Le Carnet d'un Ténor".
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