Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Wilhelmina Raab and Ivan Melnikov by Wesenberg
Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Ivan Melnikov by Wesenberg (1)
Ivan Melnikov by Wesenberg (2)
Leonid Yakovlev by Wesenberg
Maria Dolina by Wesenberg
Sofia Scalchi by Wesenberg
Lodovico Graziani by Wesenberg
Wilhelmina Raab by Wesenberg (2)
Fyodor Komissartschevsky by Bergamasco (3)
Gian Francesco Angelini by Bergamasco
Francesco Graziani by Bergamasco
Enrico Calzolari by Bergamasco
Caroline Salla by Bergamasco
Marie Sasse by Reutlinger (2)
Marie Sasse by Carjat
Joakim Tartakov by Wesenberg
Eugenia Mravina by Wesenberg
Sigrid Arnoldson by Wesenberg
Wilhelmina Raab by Wesenberg (1)
Josef Paleček and Wilhelmina Raab by Wesenberg
Fyodor Stravinsky by Wesenberg (3)
Fyodor Stravinsky by Wesenberg (2)
Fyodor Stravinsky by Wesenberg (1)
Elias Nathan by Franck
Emilio Pancani by Lehmann
Emilio Pancani's autograph at the back
Gustave Roger by Portier
Gustave Roger's autograph at the back
Enrico Tamberlick by Unknown
Franz Betz by Unknown
Amalie Materna by Atelier Rembrandt
Therese Vogl by Müller
Bertha Ehnn by Mahlknecht (2)
Bertha Ehnn by Gertinger (2)
Bertha Ehnn by Gertinger (1)
Albert Niemann by Albert
Lodovico Graziani by Mahlknecht
Franz Nachbaur by Albert
Pauline Lucca by Graf (3) with autograph
Pauline Lucca and Albert Niemann by Lehmann
See also...
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
385 visits
Maria Deysha-Sionitzkaya by Wesenberg
Maria Deysha-Sionitzkaya (1859-1932); Ukrainian soprano.
She studied singing at the Conservatory of St. Petersburg with Zwanziger and Everardi. She completed her vocal studies in Paris with Mathilde Marchesi de Castrone. In 1883 she made her debut as Aida at the Imperial Opera of St. Petersburg, where she would remain until 1891. From 1891 until 1908 she was engaged by the Bolshoj Theatre in Moscow. At the première in 1893 of Rachmaninoff's opera "Leko" she created here the role of Zemfira. In 1906 she began a distinguished concert career in Moscow. She had much influence on Russian musical life in those days. In the years 1907/13 she organized concert series in Moscow, where she presented vocal and instrumental music, including contemporary works. In 1907 she founded in Moscow the "Conservatory for the people", which she led until 1913. During the years 1921/32 she worked as a professor at the Conservatory of Moscow. She also staged operas at theaters in Yaroslavl and Moscow. She was generally considered one of the most important Russian singers of her artistic generation.
She studied singing at the Conservatory of St. Petersburg with Zwanziger and Everardi. She completed her vocal studies in Paris with Mathilde Marchesi de Castrone. In 1883 she made her debut as Aida at the Imperial Opera of St. Petersburg, where she would remain until 1891. From 1891 until 1908 she was engaged by the Bolshoj Theatre in Moscow. At the première in 1893 of Rachmaninoff's opera "Leko" she created here the role of Zemfira. In 1906 she began a distinguished concert career in Moscow. She had much influence on Russian musical life in those days. In the years 1907/13 she organized concert series in Moscow, where she presented vocal and instrumental music, including contemporary works. In 1907 she founded in Moscow the "Conservatory for the people", which she led until 1913. During the years 1921/32 she worked as a professor at the Conservatory of Moscow. She also staged operas at theaters in Yaroslavl and Moscow. She was generally considered one of the most important Russian singers of her artistic generation.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.