Fyodor Stravinsky by Wesenberg (3)
Josef Paleček and Wilhelmina Raab by Wesenberg
Wilhelmina Raab by Wesenberg (1)
Maria Deysha-Sionitzkaya by Wesenberg
Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Wilhelmina Raab and Ivan Melnikov by Wesenberg
Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Ivan Melnikov by Wesenberg (1)
Ivan Melnikov by Wesenberg (2)
Leonid Yakovlev by Wesenberg
Maria Dolina by Wesenberg
Sofia Scalchi by Wesenberg
Lodovico Graziani by Wesenberg
Wilhelmina Raab by Wesenberg (2)
Fyodor Komissartschevsky by Bergamasco (3)
Gian Francesco Angelini by Bergamasco
Francesco Graziani by Bergamasco
Enrico Calzolari by Bergamasco
Caroline Salla by Bergamasco
Marie Sasse by Reutlinger (2)
Marie Sasse by Carjat
Joakim Tartakov by Wesenberg
Fyodor Stravinsky by Wesenberg (1)
Elias Nathan by Franck
Emilio Pancani by Lehmann
Emilio Pancani's autograph at the back
Gustave Roger by Portier
Gustave Roger's autograph at the back
Enrico Tamberlick by Unknown
Franz Betz by Unknown
Amalie Materna by Atelier Rembrandt
Therese Vogl by Müller
Bertha Ehnn by Mahlknecht (2)
Bertha Ehnn by Gertinger (2)
Bertha Ehnn by Gertinger (1)
Albert Niemann by Albert
Lodovico Graziani by Mahlknecht
Franz Nachbaur by Albert
Pauline Lucca by Graf (3) with autograph
Pauline Lucca and Albert Niemann by Lehmann
Ludwig Schnorr von Carolsfeld and Malvina Garrigue…
Malvina Garrigues by Holzer (2)
Malvina Garrigues ' autograph at the back
Ludwig Schnorr von Carolsfeld by Holzer (2)
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Fyodor Stravinsky by Wesenberg (2)
Fyodor Stravinsky (1843-1902); Russian bass.
From 1869-1873 he received his vocal training at the St. Petersburg Conservatory followed by a study with the baritone Camille Everardi in Kiev. He started his solo singing career in Kiev (1873/76) before moving to St. Petersburg, where he sang at the Mariinsky Theatre for 26 years (1876-1902). He sang 64 roles in 1235 performances. He was hailed as the successor to Osip Petrov and was considered the leading bass at the Imperial Opera in those years. He created a number of roles in operas by Tchaikovsky: His Royal Highness in "Vakula the Smith" (1876), Dunois in "The Maid of Orleans" (1881) and Mamirov in The Enchantress(1887). He also created the role of Yugurt Sarrachini in Soloviev's "Cordelia" (1880), Tsar Ivan IV in Rubinstein's "The merchant Kalashnikov" (1880), Grandfather Frost in Rimsky-Korsakov's "The Snow Maiden" (1882), Mstivoy in Rimsky-Korsakov's "Mlada" (1892) and the title role in Nápravnik's "Dubrovsky" (1895). He died in 1902 and was buried in the Artist's Cemetery in the Alexander Nevsky Monastery in Saint Petersburg. He was the father of composer Igor Stravinsky (1882-1971) and the grandfather of pianist/composer Soulima Stravinsky (1910-1994).
From 1869-1873 he received his vocal training at the St. Petersburg Conservatory followed by a study with the baritone Camille Everardi in Kiev. He started his solo singing career in Kiev (1873/76) before moving to St. Petersburg, where he sang at the Mariinsky Theatre for 26 years (1876-1902). He sang 64 roles in 1235 performances. He was hailed as the successor to Osip Petrov and was considered the leading bass at the Imperial Opera in those years. He created a number of roles in operas by Tchaikovsky: His Royal Highness in "Vakula the Smith" (1876), Dunois in "The Maid of Orleans" (1881) and Mamirov in The Enchantress(1887). He also created the role of Yugurt Sarrachini in Soloviev's "Cordelia" (1880), Tsar Ivan IV in Rubinstein's "The merchant Kalashnikov" (1880), Grandfather Frost in Rimsky-Korsakov's "The Snow Maiden" (1882), Mstivoy in Rimsky-Korsakov's "Mlada" (1892) and the title role in Nápravnik's "Dubrovsky" (1895). He died in 1902 and was buried in the Artist's Cemetery in the Alexander Nevsky Monastery in Saint Petersburg. He was the father of composer Igor Stravinsky (1882-1971) and the grandfather of pianist/composer Soulima Stravinsky (1910-1994).
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