Angelina Luger's autograph at the back
Angelina Luger by Leopold Bude
Blanche Cole by Elliott & Fry
Célestine Galli-Marié by Nadar (2)
Célestine Galli-Marié by Lumière
Célestine Galli-Marié by Bingham
Letter by Célestine Galli-Marié to Mr. Briet
Célestine Galli-Marié by Carjat (2)
Therese Tietjens by Mayall with autograph
Antoine Renard by Victoire with autograph
Eugène Lorrain's autograph at the back
Eugène Lorrain by Carjat
Elisa Volpini's autograph at the back
Elisa Volpini by Cezar Massat
Regina Pacini by Atelier Fillon (Bobone)
Adelina Patti and Giovanni Mario by Caldesi
Enrico Tamberlick by Negretti & Zambra
Enrico Tamberlick by Nadar
Céline Anna van Ghell; dedication and signed Anna
Céline Anna van Ghell by Mayer & Pierson
Zoé Bélia by Numa Blanc
Marie van Zandt by Benque (4)
Rosine Bloch by Petit (2)
Achille-Felix Montaubry by Carjat
Gabrielle Krauss by Petit
Jean-Baptiste Faure by Reutlinger (4) with autogra…
Jean-Baptiste Faure by Disdéri (5)
Italo Gardoni by Chancellor
Marie-Julie Baretti by Bureau
Edmond Duvernoy by Ken
Mathieu-Émile Balanqué by Constantin
Christine Nilsson by Reutlinger (7) with autograph
Adele Isaac by Reutlinger
Adele Isaac's autograph at the back
Armand Castelmary by Niclas
Armand Castelmary's autograph at the back
Marc Bonnehée by Petit with autograph
Antoine Renard by Carjat
Antoine Renard by Vitagliano & Terris
Antoine Renard's autograph at the back
Delphine Ugalde by Ken (8)
Delphine Ugalde by Ken (7)
Delphine Ugalde by Ken (6)
Emma Calvé by Benque
Marguerite Ugalde by Chalot
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Caroline Girard by Franck
Caroline Girard (1830-?); French soprano.
In 1853 she made her debut at the Théâtre Lyrique were she was engaged until 1863. She performed at many premières: the title role in Gevaert's "Georgette" (1853), Georgette in Maillart's "Les Dragons de Villars" (1856), in Clapison's "Margot", Jacqueline in Gounod's "Le medecin malgré lui" (1858), in Sermet's "Gil Blas" (1860) and in many more (now completely forgotten) opera's. From 1863-1870 she was engaged at the Opéra-Comique where she created the role of Suzanne in Offenbach's "Robinson Crusoe" (1867). In 1869 she sang at the Offenbach première of "Vert-Vert". After 1878 she largely retired from the stage. In 1879 she created the role of the Duchesse Della Volta in Offenbach's "La fille du tambour-major" together with her daughter Juliette as Stella and her son-in-law Max Simon as Griolet.
She was the mother of the soprano Juliette (Simon-)Girard (1859-1954), who married the tenor Max Simon (1852-1923). The marriage ended in divorce (1894).
On the photo she is seen in her creator role of Gil Blas in Sermet's eponymous opera.
In 1853 she made her debut at the Théâtre Lyrique were she was engaged until 1863. She performed at many premières: the title role in Gevaert's "Georgette" (1853), Georgette in Maillart's "Les Dragons de Villars" (1856), in Clapison's "Margot", Jacqueline in Gounod's "Le medecin malgré lui" (1858), in Sermet's "Gil Blas" (1860) and in many more (now completely forgotten) opera's. From 1863-1870 she was engaged at the Opéra-Comique where she created the role of Suzanne in Offenbach's "Robinson Crusoe" (1867). In 1869 she sang at the Offenbach première of "Vert-Vert". After 1878 she largely retired from the stage. In 1879 she created the role of the Duchesse Della Volta in Offenbach's "La fille du tambour-major" together with her daughter Juliette as Stella and her son-in-law Max Simon as Griolet.
She was the mother of the soprano Juliette (Simon-)Girard (1859-1954), who married the tenor Max Simon (1852-1923). The marriage ended in divorce (1894).
On the photo she is seen in her creator role of Gil Blas in Sermet's eponymous opera.
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