Christine Nilsson by Reutlinger (7) with autograph
Mathieu-Émile Balanqué by Constantin
Edmond Duvernoy by Ken
Marie-Julie Baretti by Bureau
Italo Gardoni by Chancellor
Jean-Baptiste Faure by Disdéri (5)
Jean-Baptiste Faure by Reutlinger (4) with autogra…
Gabrielle Krauss by Petit
Achille-Felix Montaubry by Carjat
Caroline Girard by Franck
Angelina Luger's autograph at the back
Angelina Luger by Leopold Bude
Blanche Cole by Elliott & Fry
Célestine Galli-Marié by Nadar (2)
Célestine Galli-Marié by Lumière
Célestine Galli-Marié by Bingham
Letter by Célestine Galli-Marié to Mr. Briet
Célestine Galli-Marié by Carjat (2)
Therese Tietjens by Mayall with autograph
Antoine Renard by Victoire with autograph
Eugène Lorrain's autograph at the back
Eugène Lorrain by Carjat
Elisa Volpini's autograph at the back
Adele Isaac's autograph at the back
Armand Castelmary by Niclas
Armand Castelmary's autograph at the back
Marc Bonnehée by Petit with autograph
Antoine Renard by Carjat
Antoine Renard by Vitagliano & Terris
Antoine Renard's autograph at the back
Delphine Ugalde by Ken (8)
Delphine Ugalde by Ken (7)
Delphine Ugalde by Ken (6)
Emma Calvé by Benque
Marguerite Ugalde by Chalot
Pierre Grivot by Petit
Paola Marié and Victor Capoul by Mora
Albert Saléza by Benque (2)
Albert Saléza by Benque (1)
Rose Caron by Benque (2)
Lucienne Bréval by Nadar
Pauline Lucca by Krziwanek
Alois Pennarini by Mocsigay with autograph
Eugenia Mantelli by Ganzini with autograph
Victor Maurel by Ogerau
See also...
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
316 visits
Adele Isaac by Reutlinger
Adèle Isaac (1854-1915); French soprano. She studied with the famous tenor Gilbert Duprez. In 1870 she made her debut at the Théâtre Montmartre in Massé's "Les Noces de Jeannette". After the end of the German-French war of 1870/71 she sang first at Liège, then in Brussels. Here she attracted attention singing the young sheperd in Wagner's "Tannhäuser" at the "La Monnaie" theater. In 1873 she was engaged by the Opéra-Comique, where she debuted as Marie in Donizetti's "La Fille du régiment". Especially in the period 1878/88 her career was very successful. She was much estimated as a Mozart interpreter (Susanna in "Le nozze di Figaro" and Zerlina in "Don Giovanni") and in the soprano parts of the operas by Thomas, Hérold, Halévy and Gounod. In 1881 she created the roles of Olympia, Antonia and Stella at the première of Offenbach's "Les Contes d'Hoffmann". In 1887 she created the role of Minka in Chabrier's "Le Roi malgré lui". In the years 1883/85 she was also very successful at the Grand Opéra Paris. She had a brilliant, virtuosic coloratura voice and shone in roles such as Juliette in Gounod's "Roméo et Juliette" and Violetta in Verdi's "La Traviata". After she married in 1887 businessman Charles Lelong her appearances became less frequent. In 1894, she retired from the stage and devoted herself to teaching.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.