Jean-Baptiste Faure by Reutlinger (4) with autogra…
Gabrielle Krauss by Petit
Achille-Felix Montaubry by Carjat
Caroline Girard by Franck
Angelina Luger's autograph at the back
Angelina Luger by Leopold Bude
Blanche Cole by Elliott & Fry
Célestine Galli-Marié by Nadar (2)
Célestine Galli-Marié by Lumière
Célestine Galli-Marié by Bingham
Letter by Célestine Galli-Marié to Mr. Briet
Célestine Galli-Marié by Carjat (2)
Therese Tietjens by Mayall with autograph
Antoine Renard by Victoire with autograph
Eugène Lorrain's autograph at the back
Eugène Lorrain by Carjat
Elisa Volpini's autograph at the back
Elisa Volpini by Cezar Massat
Regina Pacini by Atelier Fillon (Bobone)
Adelina Patti and Giovanni Mario by Caldesi
Enrico Tamberlick by Negretti & Zambra
Enrico Tamberlick by Nadar
Céline Anna van Ghell; dedication and signed Anna
Italo Gardoni by Chancellor
Marie-Julie Baretti by Bureau
Edmond Duvernoy by Ken
Mathieu-Émile Balanqué by Constantin
Christine Nilsson by Reutlinger (7) with autograph
Adele Isaac by Reutlinger
Adele Isaac's autograph at the back
Armand Castelmary by Niclas
Armand Castelmary's autograph at the back
Marc Bonnehée by Petit with autograph
Antoine Renard by Carjat
Antoine Renard by Vitagliano & Terris
Antoine Renard's autograph at the back
Delphine Ugalde by Ken (8)
Delphine Ugalde by Ken (7)
Delphine Ugalde by Ken (6)
Emma Calvé by Benque
Marguerite Ugalde by Chalot
Pierre Grivot by Petit
Paola Marié and Victor Capoul by Mora
Albert Saléza by Benque (2)
Albert Saléza by Benque (1)
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Jean-Baptiste Faure by Disdéri (5)
Jean-Baptiste Fauré (1830-1914); French baritone. In 1852 he made his debut at the Opéra-Comique -where he remained until 1860- as Pygmalion in Massé’s “Galathée”. He made his debut at Covent Garden in 1860 and at the Grand Opéra Paris in 1861.He created numerous operatic roles. The most known are Le Marquis d’Hérigny in Auber’s “Manon Lescaut (1856), Hoël in Meyerbeer’s “Dinorah” (1859), Nélusko in Meyerbeer’s “L'Africaine” (1865), Rodrigo in Verdi’s “Don Carlos” (1867) and Hamlet in the eponymous opera from Ambroise Thomas (1868). He was also a composer of songs of which “Crucifix” and “Les rameaux” are well known (recorded by Enrico Caruso). He was married to the soprano Constance-Caroline Lefebvre (1828-1905) who was engaged at the Opéra-Comique from 1849-1859.
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