Gilbert-Louis Duprez by Disdéri (3)
Caroline Vadé by Disdéri (2)
Toussaint-Eugène-Ernest Mocker's autograph at the…
Toussaint-Eugène-Ernest Mocker by Trinquart
Jennie van Zandt by Gurney (1)
Marie van Zandt by Van Bosch
Jennie van Zandt by Gurney (2)
Jean Lassalle by Petit (1)
Jean Lassalle by Petit (2)
Georges-François Menu by Petit
Pierre Gailhard by Petit
Théophile-Adolphe Manoury by Petit (1)
Théophile-Adolphe Manoury by Petit (2)
Ernest van Dyck and Marie Renard by Adèle (1)
Ernest van Dyck and Marie Renard by Adèle (2)
Ernest van Dyck by Adèle (3)
Fritzi and Fini Heukeshoven by Schumann
Fritz Heukeshoven by Opitz (6)
Fritz Heukeshoven by Reimers
Fritz Heukeshoven by Spalke & Kluge (5)
Fritz Heukeshoven by Opitz (7)
Fritz Heukeshoven by Spalke & Kluge (6)
Enrico Campobello by Stereoscopic
Constance-Caroline Lefebvre by Disdéri (2)
Giorgio Ronconi by Mayall
Constance-Caroline Lefebvre by Disdéri (1)
Constance-Caroline Lefebvre's autograph at the bac…
Marietta Alboni by Mayer & Pierson (1)
Marietta Piccolomini by Silvy (1)
Giulia Grisi by Disdéri (2)
Jean-Baptiste Faure by Disdéri (4)
Italo Gardoni by Bassano
Italo Gardoni by Disdéri (1)
Gustave Roger by Disdéri (3)
Gustave Roger by Disdéri (2)
Enrico Tamberlick by Carjat
Louise Dustmann-Meyer by Miethke & Wawra
Louise Dustmann-Meyer and Karoline von Gompertz-Be…
Katharina Klafsky by Bieber (1)
Delphine Ugalde by Constantin (4)
Delphine Ugalde by Constantin (3)
Delphine Ugalde by Ken (5)
Marie Delorn by Ken
Marie Moreau-Sainti by Guipet
Marie-Stéphanie Meillet by Pesme
See also...
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
591 visits
Adelaide Borghi-Mamo by Disdéri (3)
Adelaide Borghi-Mamo (1826-1901); Italian mezzo-soprano.
She made her debut in 1843 in Mercadante’s “Il giuramento”. She sang at the première of Pacini’s “Malvina di Scozia” (1851) as Morna, she created the role of Olimpia in Mercadante’s “Statira” (1853), Odetta in Pacini’s “Romilda di Provenza” (1853) and Tremacoldo in Petrella’s “Marco Visconti” (1854.. All 4 premières were at the “Real Teatro di San Carlo” at Naples. She also sang the première of Rossi’s “L'alchimista” (1853) at the Teatro del Fondo in Naples.
From 1854 on she also performed in Paris at the Théâtre-Italien and the Paris Opera, where she created the role of Mélusine in Halévy’s “La Magicienne” (1858), Opympia in David’s “Herculanum” (1859) and Margherita in Braga’s “Margherita la mendicante” (1859). She sang at all the mayor opera houses in Italy (including several premières at “La Scala”) and also in London and Madrid.
In 1849 she married the Italian tenor Michele Mamo and they had a daughter (born only a few hours after her performance of Azucena in “Il Trovatore”) Erminia Borghi-Mamo (1855-1941) who was a well known soprano with an international career.
She made her debut in 1843 in Mercadante’s “Il giuramento”. She sang at the première of Pacini’s “Malvina di Scozia” (1851) as Morna, she created the role of Olimpia in Mercadante’s “Statira” (1853), Odetta in Pacini’s “Romilda di Provenza” (1853) and Tremacoldo in Petrella’s “Marco Visconti” (1854.. All 4 premières were at the “Real Teatro di San Carlo” at Naples. She also sang the première of Rossi’s “L'alchimista” (1853) at the Teatro del Fondo in Naples.
From 1854 on she also performed in Paris at the Théâtre-Italien and the Paris Opera, where she created the role of Mélusine in Halévy’s “La Magicienne” (1858), Opympia in David’s “Herculanum” (1859) and Margherita in Braga’s “Margherita la mendicante” (1859). She sang at all the mayor opera houses in Italy (including several premières at “La Scala”) and also in London and Madrid.
In 1849 she married the Italian tenor Michele Mamo and they had a daughter (born only a few hours after her performance of Azucena in “Il Trovatore”) Erminia Borghi-Mamo (1855-1941) who was a well known soprano with an international career.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.