The White Road
The Day After Judgement Day
Judgement Day
Window In The West
Trouble In The Fields
Denver Union Station
Denver Union Station at night
Portico Visitation
Under A Tuscan Sun
Bike
Denver City Railway Building - 1883
Winter Sleep
Closing Time
Behind Closed Doors
Kaitaia Or Bust
Maungatapere Main Drag
Shetland
CB&Q 5631
The Oasis
Otaika Valley Road
Lost My Car
Back deck, 8-29-15
Where Warriors Sleep
Cows May Safely Graze
The Sitting Lady And The Still Life
The First Striped Black Shorts In Australia
The Girl With The Pearl Earing
Wonder Wall
Michael Falls
Te Whenua / On Hills Not Far Away
Gideon & Minette
A is for..... B is for?
I Rode My Bicycle Past
The Bicycle Muse
Te Whenua
Te Whenua
Little Bighorn Battlefield National Monument
Cheyenne, Arapaho, and Lakota Sioux warriors
Where Angels Walk
Silver Ghost
The Get Away Car
Big Al
Big Brother 1920's Stlyle
Agathis Australis In Vase Print
Dill Seedhead Still Life Print
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© Graham Hughes 2014
All Rights Reserved
Original image taken on a Canon EOS 30D
Silver gelatin print from emulsion lift process.
The result from an emulsion lift experiment, and me attaching the positive colour emulsion to glass, making a bw paper negative print, and then printing the positive from the paper negative........so its a 3 generation print, from a Harvey Norman (Safeways type of thang) colour print original. Really pleased....can invert and make the oringinal emulsion (print) a true negative, then lift and attach to glass............and contact print. This is a reverse from my usual analogue birth to digital end workflow....digital birth to analogue end print now....huge potential
© Graham Hughes 2014
All Rights Reserved
Original image taken on a Canon EOS 30D
Silver gelatin print from emulsion lift process.
The result from an emulsion lift experiment, and me attaching the positive colour emulsion to glass, making a bw paper negative print, and then printing the positive from the paper negative........so its a 3 generation print, from a Harvey Norman (Safeways type of thang) colour print original. Really pleased....can invert and make the oringinal emulsion (print) a true negative, then lift and attach to glass............and contact print. This is a reverse from my usual analogue birth to digital end workflow....digital birth to analogue end print now....huge potential
Jim Kerslake, Alfred Magesacher, Christina Sonnenschein, and 6 other people have particularly liked this photo
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