Victor Prilleux by Loisel
Pauline Lauters- Gueymard by Bureau
Martyn by Lagrange
Martyn by Maunory
Victor Capoul & Marie Heilbronn by Nadar
Ulysse Wast by Camille Brion
Ulysse Wast by Camille Brion
Jean Alexandre Talazac & Marie Heilbronn by Benque
Heinrich Hensel by Pieperhoff
Theodor Reichmann by Unknown
Fritz Friedrichs by Hoffert
Otto Schelper by Hoffert
Rose Delaunay by Maunoury
Rose Delaunay by Maunoury
Marie Desclauzas by Chalot
Emilie Bertin by Erwin Freres
Henry Sellier by Lopez
Unknown by Liebert
Adelina Patti by Luckhardt (18)
Alexandre Gourdin by Erwin Freres
Joseph Couderc by Numa Blanc
Jean-Baptiste Faure by Reutlinger
Rosa Ethofer by Carl Bellach
Zelo Duran by Emera
Jean Lassalle
Henry Sellier & Caroline Salla by Benque
Ben Davies by Elliott & Fry
Frances Alda by Aime Dupont
Nellie Melba by Reutlinger
Emma Albani by Gurney (6)
Nellie Melba
Charles Marie August Pochard by Mayer & Pierson
Joseph Antione Couderc by Numa Blanc
Joseph Antione Couderc by Numa Blanc
Rose Feart by Duguy
Christine Nilsson by Gurney (4)
Christine Nilsson by Mora (3)
Christine Nilsson by Gurney (2)
Christine Nilsson by Sarony (1)
Geraldine Farrar by Aime Dupont
Paola Marie by Mora
Felix Schmidt by Luckhardt
Felix Schmidt by Luckhardt
Mily Meyer by Nadar
Emma Albani by Ewing & Co (7)
See also...
Mademoiselle MONROSE
Mademoiselle MONROSE
(Eugénie Chollet )
1819-1893
French Soprano
She studied voice with Gilbert Duprez
Her debut at the Opéra-Comique was on 24 September 1859 in Ambroise Thomas's Le songe d'une nuit d'été (with Giacomo Meyerbeer in the audience), and she created the role of La Marquise de Villa-Bianca in Thomas's Le roman d'Elvire, premiered on 4 February 1860 by the Opéra-Comique at the second Salle Favart in Paris. She also sang Dinorah in a revival of Giacomo Meyerbeer's Le pardon de Ploërmel, Another creation was Olga in Daniel Auber's La circassienne, premiered on 2 February 1861 by the Opéra-Comique at the second Salle Favart, Another role was La Marquise de Richmond in the Opéra-Comique's revival of Albert Grisar's Le joaillier de Saint-James on 17 February 1862.
She also created the role of Héro in Hector Berlioz's Béatrice et Bénédict on 9 August 1862 at the Theater der Stadt, Baden-Baden .
She was later associated with the Théâtre du Parc in Brussels and the Théâtre des Galeries, Brussels. She retired from singing c. 1880, receiving a pension of 500 francs in 1883 (at age 65).
(Eugénie Chollet )
1819-1893
French Soprano
She studied voice with Gilbert Duprez
Her debut at the Opéra-Comique was on 24 September 1859 in Ambroise Thomas's Le songe d'une nuit d'été (with Giacomo Meyerbeer in the audience), and she created the role of La Marquise de Villa-Bianca in Thomas's Le roman d'Elvire, premiered on 4 February 1860 by the Opéra-Comique at the second Salle Favart in Paris. She also sang Dinorah in a revival of Giacomo Meyerbeer's Le pardon de Ploërmel, Another creation was Olga in Daniel Auber's La circassienne, premiered on 2 February 1861 by the Opéra-Comique at the second Salle Favart, Another role was La Marquise de Richmond in the Opéra-Comique's revival of Albert Grisar's Le joaillier de Saint-James on 17 February 1862.
She also created the role of Héro in Hector Berlioz's Béatrice et Bénédict on 9 August 1862 at the Theater der Stadt, Baden-Baden .
She was later associated with the Théâtre du Parc in Brussels and the Théâtre des Galeries, Brussels. She retired from singing c. 1880, receiving a pension of 500 francs in 1883 (at age 65).
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