Alice Nielson
Pierre Villaret by Carjat
Oscar Arnoldson by Florman
Anders Willman by Florman
Zoe Mole-Truffier & Lucien Fugere By Chalot
Marie Rappold by Aime Dupont
Mole-Truffier Reverse by Chalot
Ilma De Murska By Gurney
Adelaide Phillips by Sarony
William Castle by Mora (2)
Carlotta Patti by Gurney (9)
Sigrid Arnoldson by Reutlinger
Blanch Boidin-Puisais by Luzzatto (Autographed 190…
Therese Malten By Hoffert
Lucienne Breval
Lucienne Breval
Lucienne Breval
Lucienne Breval
Lucienne Breval
Lucienne Breval
Marcella Sembrich
Marcella Sembrich
Marcella Sembrich
Adelina Patti by Mayer & Pierson (17)
Guillaume Albert Lubert by Aime Dupont
Josefine Reinl by Sarony
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Lilly Hafgren-Waag
Herman Jadlowker & Lilly Hafgren-Waag
Herman Jadlowker
Herman Jadlowker
Herman Jadlowker
Louise Homer by Aime Dupont
Edith Clegg ,Frederick Ranalow and Miriam Licette
Edith Clegg & Miriam Licette
Jean-Louis Lasalle by Pierre Petit
Pierre-Marius Jourdan by Bureau
Louise Theo by Gaston & Mathieu
Anna Maria Strandberg by Gosta Florman
Giovanni Zucchini by Bergamasco
Caroline Salla by Nadar
Gaetano Fraschini by Trinquart
Louise Homer by Aime Dupont
Louise Homer by Aime Dupont
Anna de La Grange by Sarony
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Alice Nielson
ALICE NIELSON
1872-1943
American Soprano
Performing with Burton Stanley and Pyke Opera. In San Francisco she became a soloist at the St. Patrick's, singing at The Wig-Wam and becoming a star in Balfe's Satanella. Joining the Tivoli Opera Company, trained by Ida Valegra, Nielsen played 150 roles in two years. In 1895, Nielsen was hired by The Bostonians, a leading light opera company, which took her to New York City and national fame in 1896. In New York she became a pupil of Frederick Bristol .Alice Nielsen in 1900, age 28, was America's biggest box-office draw. Left to study grand opera,and was coached in the Italian repertoire by Enrico Bevignani, who had also coached Swedish operatic soprano, Christine Nilsson.In 1905, Nielsen returned to London's Covent Garden to perform in several Mozart operas. She joined the roster of the San Carlo Opera Company (SCOC), at that time a touring arm of the Teatro di San Carlo of Naples.She was a guest at Covent Garden with Enrico Caruso and Antonio Scotti. Their La Bohème was regarded as a masterpiece of ensemble performance She also debuted at The Metropolitan Opera and Opéra de Montréal.
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1872-1943
American Soprano
Performing with Burton Stanley and Pyke Opera. In San Francisco she became a soloist at the St. Patrick's, singing at The Wig-Wam and becoming a star in Balfe's Satanella. Joining the Tivoli Opera Company, trained by Ida Valegra, Nielsen played 150 roles in two years. In 1895, Nielsen was hired by The Bostonians, a leading light opera company, which took her to New York City and national fame in 1896. In New York she became a pupil of Frederick Bristol .Alice Nielsen in 1900, age 28, was America's biggest box-office draw. Left to study grand opera,and was coached in the Italian repertoire by Enrico Bevignani, who had also coached Swedish operatic soprano, Christine Nilsson.In 1905, Nielsen returned to London's Covent Garden to perform in several Mozart operas. She joined the roster of the San Carlo Opera Company (SCOC), at that time a touring arm of the Teatro di San Carlo of Naples.She was a guest at Covent Garden with Enrico Caruso and Antonio Scotti. Their La Bohème was regarded as a masterpiece of ensemble performance She also debuted at The Metropolitan Opera and Opéra de Montréal.
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