Ruined
Köln 133
Sinsteden, Landwirtschaftsmuseum 041
Sinsteden, Landwirtschaftsmuseum 042
Sinsteden, Landwirtschaftsmuseum 044
Sinsteden, Landwirtschaftsmuseum 045
Sinsteden, Landwirtschaftsmuseum 057
Neuss 042
épave, Bénodet
Hinge
Rode ¼
Bamberg 2009 364
Post War Hand Tools
ein Zierde fürs Verwaltungsgebäude
The Red Handle - Optomax 35/2.8
Camaret, épaves
Real Gardening
The Red Door
Iron, Wood, and Stone
Duisburg, Emscher Landschaftspark 104
Duisburg, Emscher Landschaftspark 099
Duisburg, Emscher Landschaftspark 097
Maisse, Cimetière
The Shed
D for Dutch Hoe
Two Star
Flower sculpture
Old barn north of Waikanae
Ferric Oxide
Carl Zeiss Jena Tessar 50mm f/2.8
Crummock Water and Buttermere
Rusting sculpture
Duisburg, Emscher Landschaftspark 089
Duisburg, Emscher Landschaftspark 090
Duisburg, Emscher Landschaftspark 091
Duisburg, Emscher Landschaftspark 093
Duisburg, Emscher Landschaftspark 094
Filay
Hibernation
Duisburg, Emscher Landschaftspark 082
Duisburg, Emscher Landschaftspark 084
Duisburg, Emscher Landschaftspark 085
Duisburg, Emscher Landschaftspark 086
Duisburg, Emscher Landschaftspark 087
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Keywords
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Wren's Ox Blood
Photographed with a 55mm Micro-Nikkor f/3.5 AI lens on a Nikon D2Xs with a TC-16A teleconverter interposed. The TC-16A is compatible with only a small number of Nikon cameras. It was introduced during the 1980s when AF became popular and Nikon were a bit behind the pace. The TC-16A provided automatic focus on older AI lenses to reassure Nikon users and persuade them not to jump ship. In use it extends focal length and reduces lens speed. You never want the second, and you don't always welcome the first. I'm not convinced of its value on the 55mm Micro-Nikkor which at f/3.5 isn't exactly fast to begin with. Plus, automatic focus is hardly necessary for macro work and can even be an outright hindrance.
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