The Magi

The first Troyes Cathedral was built in the 9th century, but was badly damaged by the Norman invasions. From about 940 on a Romanesque cathedral was built, commisioned by Bishop Milo. This cathedral was destroyed by fire in 1188. The construction of the present Gothic cathedral was begun under Bishop Hervé in 1208. Work continued until the 17th century. The earliest part of the cathedral, dating from the 13th century, is the choir. Some works, displayed in the Cathedral´s treasure room are older than the church. Here is a 12th century gilt reliquary in typical "chasse" shape with the Magi, travelling - and adoring. Most of such reliquaries come from Limoge, where "industry" for enamel-wares existed, especially for "champlevé" and "cloisonné" techniques. Note that the cast heads of the "Adoring Magi" are identical.

The area around the modern Altamura (pop 70.000) was inhabited in early times. There are Bronze Age tumuli and between the 6th and the 3rd century BC a massive line of megalithic walls was erected. This (later Roman) city was inhabited until the 10th century when it was reportedly looted by Saracens. A couple of centuries after Altamura was reportedly looted by the Saracens, it started to be inhabited again as Emperor Frederick II refounded the city (1232) and ordered the construction of the large Altamura Cathedral, which became one of the most venerated sanctuaries in Apulia. Altamura was ruled by various feudal families, including the Orsini del Balzo and the Farnese (1538–1734), the latter responsible for the construction of numerous palaces and churches. In the past, Altamura also had a large castle, whose construction dated back to the 11th-13th century, which has been completely demolished. Altamura Cathedral (Cattedrale di Santa Maria Assunta) was founded by Emperor Frederick II in 1232. In 1248, under pressure from Frederick, Pope Innocent IV declared Altamura exempt from the jurisdiction of the bishop of Bari, making it a "palatine church", that is the equivalent of a palace chapel. After heavy damage caused by an earthquake in 1316, it was renovated by Robert of Anjou. Major changes were made to the cathedral in 1534, including switching the front and back around! The cathedral's main facade originally faced west but it now faces east. Nativity scenes ("presepi") are very popular and can often be found in Italian churches. Here an orchestra of angels entertains the holy family, while the Magi above are still on their way.

The Cathédrale Saint-Étienne seen today is actually the 5th on the spot. The erection started in 1215 around the same time, when the building of the cathedrals in Reims and Amiens started. The choir was completed in 1235. The stained glass of the choir windows was created until 1250. The same time, the construction of the facade began. Around 1300, construction began on the southern arm of the transept. The sculptured portal is dated to around 1320. The nave was built from around 1320–1350, but the Hundred Years' War slowed the work down and delayed the completion of the south aisle until 1378. The north transept and the towers had not begun at the beginning of the 15th century. In 1478, the nave was vaulted and in 1500 work on the north tower began and was completed after 43 years. The south tower was never completed. Though looted a couple of times, the cathedral has precious works of art in the treasury. Four biblical episodes carved from ivory within the 14th century.

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by the Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. Palermo, founded in 734 BC by the Phoenicians, became a possession of Carthage and later was part of the Roman Empire. From 831 to 1072 the city was under Arab rule. Following the Norman conquest, Palermo became the capital of a new Kingdom of Sicily and the capital of the Holy Roman Empire under Emperor Frederick II and King Conrad IV. The "Cappella Palatina" was built between 1132 and 1140 under King Roger II in the Norman-Arab-Byzantine style as the royal chapel inside the "Palazzo dei Normanni". It was consecrated in 1140, though it was not comleted when Roger II died in 1154. The "Cappella Palatina" was built between 1132 and 1140 under King Roger II in the Norman-Arab-Byzantine style as the royal chapel inside the "Palazzo dei Normanni". It was consecrated in 1140, though it was not completed when Roger II died in 1154. The interior is breathtaking for any visitor. Unfortunately, there are no seats for the elder who are blinded by the splendour. The Nativity scene. Mary, Jesus in the crib, ox and ass behind it. Joseph left in his typical pose. The "first bath", the shepherds and in the left upper corner the three Magis.

The exact age of the St.-Peters Church in Linden (about 6kms south of Giessen) is unknown. The church is placed on a once strongly fortified hill, mentioned in the Lorsch codex. A smaller Carolingian chapel had been here already as early as 810/820, foundations of this chapel have been found during a restauration. The church was probably erected within the 12th century. The romanesque portal is the outstanding feature of St.-Peters. It was carved around 1220/1230 and originally it had been on the southern entrance of the church, but was moved to the western facade. There are only a few of these portals in Germany - and this one is pretty unique, though it is weathered and difficult to "read". One theory claims, that the carvings are connected to the legend of Saint Wenceslaus I, who was murdered by his brother. Soon after his "martyrdom" several hagiographies were (told and) written - and these were very popular within the middle ages. So here is the center of the outer archivolt and the complete inner with the hunting scene and the dragon. R. Hamann, quoted by Kiesow, sees a nativity scene in the center, flanked by the Magis, traveling with two wagons. The carvings are pretty weathered, but I doubt that. I see a lady in a position, that could well be the "Maria Regina", but I can not see a child. There are neither ox nor ass, but two men and (between them) an animal (dog). They carry weapons or tools and may be hunters or peasants. They seem to chat. Then there are these two wagons, on the left "equipped with two" on the right with one person. The lady may stand for the Virgin, but all others seem like "simple people" - to me. The parish has a website about the history of the church (in German): www.ev-kirche-gr-linden.de/kirchengelaende.html

In 1043 Hemma of Gurk (canonized in 1938) founded the Benedictine double monastery of Gurk Abbey, where she withdrew during the last years of her life. After Saint Hemma´s death, the abbey was dissolved by the Archbishop of Salzburg, who instead set up the Diocese of Gurk-Klagenfurt in 1072. The "Gurk Cathedral" is a large Romanesque basilica, built 1140 - 1220. The crypt got consecrated already in 1174 and since then hosts the grave of Saint Hemma of Gurk, still a place of pilgrimage. The walls of the narthex, that protect the western portal, are covered with frescoes, depicting scenes from the bible.

I have been here a couple of times before, but I just cannot pass the area without stopping in Neuilly en Donjon. The church once belonged to the Priory de Marcigny (18kms southeast). The construction of the 11th/12th century building is pretty simple, but the curch has this very extraordenary and spectacular portal. The capitals, lintel and tympanum are delicately carved, though the style of the carvings disputed (see Raymond Oursel). The tympanon depicts Mary, the child and the Three Magis, standing on two phantastic animals, and flanked by four angels, blowing giant horns. The lintel below depicts Adam and Eve to the right and the last supper.

The construction of the Cattedrale di San Giorgio began in the early 12th century, when the city was taken by Matilda of Tuscany (aka "Matilde di Canossa"). When the new cathedral was consecrated in 1135 it was not completed at all. It was - and still is - located in the center of the city. The lower part of the facade is Romanesque was probably built in the first half of the 11th century. The building process was continued a century later in Gothic style. A "renovation" of the Ferrara Cathedral done in the early 18th century resulted in a demolition. Only the facade and the outer walls survived. The the medieval interior and the apses, that once existed are lost. The portal is attributed to Master Niccolò (aka "Nicholaus"), who (or his workshop) worked as well in Verona (San Zeno) and Piacenza (Cathedral). Saint George, who is the patron saint of Ferrara, kills the dragon on the tympanum over the doors. The lintel below depicts the biblical story from the Annunciation (left) to the Baptism in the River Jordan.

The "Basilica di Santo Stefano" known as "Sette Chiese" (= "Seven Churches") encompasses a complex of interconnected religious edifices, erected between the 5th and the 13th century. According to tradition Saint Petronius, a bishop during the 5th century, built the first basilica. He actually wished a building that recalled the Church of the Holy Sepulchre in Jerusalem. Petronius´ church got severely damaged during the devastating invasions of Hungarian troops in the tenth century. The octogonal Basilica del Sepolcro got rebuilt a century later by Benedictian monks. These dancing mermaids are inside the Chiesa della Trinità o del Martyrium ("Church of the Trinity or the Martyrium"), a church that never got completed. Only the portico exists. Here is a wonderful "Adoration of the Magi" created in 1370 by the well known painter Simone dei Crocifissi, but the sculptures are behind reflective glass - and I was unable to take a decent photo.

A settlement existed here already in Bronze age, pre-Roman times the Umbrian people had a town here, named Ikuvium. After the Roman conquest the town gained importance. The Roman theatre here is the second-largest surviving in the world. Gubbio became very powerful in the Middle Ages, when Gubbio sent 1000 knights to fight in the First Crusade. Later the city was engaged in wars against the surrounding towns of Umbria. San Francesco is located in the lower town of Gubbio. The Gothic style church was built by 1256. St. Francis of Assisi, who was closely associated with Gubbio, supposedly was once housed in a room adjacent to the church. San Francesco may be work of Benedictian monk Fra Bevignate, who engineered the aqueduct supplying water to the Fontana Maggiore in Perugia. Ottaviano Nelli created the frescoes of the left apse 1410-1415. A second Nativity scene here. Mary is now seated. Joseph waiting in his typical gestus. The midwives have prepared the "First Bath", watched by donkey and ox. Jesus is standing (!) in the tub. In the background the shepherds listen to the angels and to the right the Magi are approaching. The black lady on her knees is probably the donor of the frescoe.

The first church, dedicated to Saint Maurice, was built here on order of Lidoire, bishop of Tours from 337 to 371 (preceding Saint Martin). This church burnt down 561, it was restored by Gregory of Tours in 590. This church then got replaced by a Romanesque structure, that again burnt in 1166 during the conflict between Louis VII of France and Henry II of England, who as well was Count of Anjou. The erection of the present cathedral started around 1170 The chancel was built 1236 to 1279, but the nave took longer to build. It was completed end of the 14th century, before the Gothic facade was finished about 100 years later. In 1562 Huguenot iconoclasts created great damages here, but they did not destroy the 13th century stained glass windows of the choir.

Rucqueville, a tiny village about 10 kms east of Bayeux, was a settlement already in gallo-roman times. Saint Pierre was erected end of the 11th century on older foundations. At that time, the place was owned by the abbey "Sainte Trinité" in Caen (aka "Abbaye aux Dames"). This may explain why such an "expensive" church was built here. Saint Pierre houses some of the most elaborate capitals I found within the region. Medieval masters have worked here. Here is one of the eight capitals around the crossing. The Magi adorating. Behind Mary is a kind of diamond-patterned decoration (tapestry?).

The Basilica of Sant'Apollinare Nuovo was built by Ostrogoth King Theodoric the Great as his palace chapel. The Arian church was originally dedicated in 504 AD to "Christ the Redeemer". After Byzantine troops had conquered Ravenna the basilica was converted into a Catholic church and reconsecrated in 561 AD. It was now dedicated to Saint Martin of Tours, a foe of Arianism. The dedication was changed again in the 9th century to St. Apollinare, first bishop of Ravenna, when the saint's relics were moved here. The interior measures 35 x 21 meters. The walls of the nave and clerestory are covered mosaics from the 6th century. Some of them date from the Arian period under King Theodoric the Great (496-526). There is a procession of the 22 virgin martyrs, led by the Magi, wearing phrygian caps. Here are in details the portraits of SCS BALTHASSAR + SCA MELCHIOR + SCS GASPAR The mosaics have been renovated during the 19th century and again after WWI, as the church was hit by a bomb. Some scholars claim, that they are "over renovated".

Villeneuve-l’Archevêque was founded by the Archbishop of Sens in the second half of the 12th century. The town was built on a checkerboard plan and protected by a wall. All the straight and wide streets were aligned parallel. Two transverse lanes and a few alleys, connect the parallel streets. Due to hostile feudal neighbours, fearing the loss of political power, the start was pretty difficult. It was supported by the Archbishop of Sens Guillaume aux Blanches Mains, whose brother was the Count of Champagne. Villeneuve experienced a certain economic success. In 1177, the king allowed the establishment of a market there. A hall was built to house the stalls and two fairs were established here. Notre-Dame dates from the time, when the village was founded. The church was largely remodelled in the 13th century with its Gothic nave, then in the 16th century, with the reconstruction of the transept and the choir in 1530-1540. Its remarkable north portal is an exceptional example of 13th-century Gothic artwork, centred around the "Coronation of the Virgin", a "young" Gothic icon, as most Romanesque tympana were connected to the "Last Judgement". It is believed that the first "coronation" was carved in Senlis around 1170. The lintel fltr: The Visitation - The Nativity - The Annunciation to the Shepherds - Presentation at the Temple (?) - The Magi

Kottingwörth developed from a settlement on an island ("Werder") in the Altmühl river. The first wooden church may date back to the time of Christianisation. The first stone church was built in the 12th century. It got consecrated between 1183 and 1195. The towers were built between 1250 and 1310. In the first half of the 16th century, the towers were raised. In the years 1760/61, the medieval church building was replaced by a baroque new building. This late Gothic relief depicting the Magi was probably on display already in the Romanesque church.

Mallorca is the largest island in the Mediterranean Balearic Islands, which are part of Spain. Mallorca is an extremely popular holiday destination. The Palma de Mallorca Airport, one of the busiest in Spain, is used by about 30 million tourists per year. Palma is the political and economic centre of the autonomous region of the Balearic Islands. Palma is a Roman foundation from the time the island was occupied by the Roman Empire in 123 BC. Almost half of the island´s population of more than 890.000 today live in Palma. From Between 902 and 1229 the city was under Islamic control. It was conquered after three months of siege in December 1229 by the troops of James I of Aragon ( aka "Jaume el Conqueridor"). Palma became the capital of the Kingdom of Majorca. After Jame´s death, Palma became joint capital of the Kingdom, together with Perpignan. The Aragonese expanded the city, so that at its heyday in the 16th century it had around 40,000 inhabitants. The foundation stone for the cathedral was laid in 1230 by King James I of Aragon (Jaume el Conqueridor) after the conquest of Mallorca in 1229. It was erected in the Catalan Gothic style on the site of a former mosque. Under Jaume II, the son of the conqueror, the actual construction of the cathedral began in 1306 from the main apse. The nave was completed in 1587, the main portal was consecrated in 1601. Work on the main facade began in 1852 and was not finished until the beginning of the 20th century. The cathedral is 109.50 m long and 33 meters wide, the main nave measures 75.50 m length and 19.50 m width. The main nave is 44 m high, which is higher than the nave of Notre Dame de Paris (33m) and Notre-Dame d'Amiens (42m), but lower than the nave of Saint-Pierre de Beauvais, with a height of 48m the highest of all Gothic cathedrals. On Christmas Eve the Magi wear their golden robes.

The area around the modern Altamura (pop 70.000) was inhabited in early times. There are Bronze Age tumuli and between the 6th and the 3rd century BC a massive line of megalithic walls was erected. This (later Roman) city was inhabited until the 10th century when it was reportedly looted by Saracens. A couple of centuries after Altamura was reportedly looted by the Saracens, it started to be inhabited again as Emperor Frederick II refounded the city (1232) and ordered the construction of the large Altamura Cathedral, which became one of the most venerated sanctuaries in Apulia. Altamura was ruled by various feudal families, including the Orsini del Balzo and the Farnese (1538–1734), the latter responsible for the construction of numerous palaces and churches. In the past, Altamura also had a large castle, whose construction dated back to the 11th-13th century, which has been completely demolished. Altamura Cathedral (Cattedrale di Santa Maria Assunta) was founded by Emperor Frederick II in 1232. In 1248, under pressure from Frederick, Pope Innocent IV declared Altamura exempt from the jurisdiction of the bishop of Bari, making it a "palatine church", that is the equivalent of a palace chapel. After heavy damage caused by an earthquake in 1316, it was renovated by Robert of Anjou. Major changes were made to the cathedral in 1534, including switching the front and back around! The cathedral's main facade originally faced west but it now faces east. The (breathtaking) attraction of Altamura Cathedral is its main portal, which has been dated to the 14th and 15th centuries. It is Gothic, but in an unusual local style with Byzantine and strong Romanesque influences. I would even see this as "Romanesque/Gothic". It is remarkable for its wealth of details and a large number of biblical scenes. Below Magi and shepherds is the Nativity scene with the "First Bath".

The "Abbazia di San Leonardo in Lama Volara" (aka "San Leonardo di Siponto") was probably founded at the end of the 11th century. It is dedicated to Saint Leonard of Noblac, a popular "Norman" saint. The monastery initially served as a hospice for pilgrims on their way to the Saint Michael Sanctuary of Monte Sant'Angelo, an important pilgrimage site since the early Middle Ages. Later it also served as a place for travellers on their way to the Holy Land during the Crusades. Since 1127 Augustinian canons worked here, in 1261, the Teutonic Order took over the meanwhile dilapidated hospice and made the monastery to their centre of activities in Apulia. The Teutonic Order left in the second half of the 15th century. Some scholars claim, that the portal is one of the finest in Apulia. It opens to the road, where the pilgrims came along (today SS89). The right capitals of the portal depict the adorating Magi. Jesus is already pretty tall for a baby.