Scott Holcomb's photos

Can you make it over the hill, little car? I think I can. It is a very steep track. I think I can, I think I can . . . This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:4/40 lens and Fotasy Pro 1-D Wide Band Pro MC UV(W) 96mm filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Remember, you must tell Gort, "Klaatu barada nikto", if anything happens to me! I warn you that if the people of Earth threaten to extend their violence into space, robots will destroy Earth - The decision rests with you. This photo was taken by a Kowa/SIX medium format film camera with a Kowa 1:3.5/55mm lens using Fujicolor Reala 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Dubbed the "Left Coast" by conservatives because of the liberal politics practiced by it's residents, the rugged Pacific coast of California is undeniably beautiful. This image was taken by a Kowa/SIX medium format film camera with a KOWA 1:2.8/85mm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop

Give it up folks for the mouse with the golden ears, Vito the Virtuoso Vermin!! This photo was taken by a Kowa/SIX medium format film camera with a KOWA LENS-S 1:3.5/150mm lens attached to a T/3 extension tube using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

While on safari we have spotted the extraordinarily rare Crystal Hippo! This photo was taken by a Kowa/SIX medium format film camera and KOWA LENS-S 1:3.5/150 lens attached to a T/3+T/1 extension tube combo (91mm) with a Zenza Bronica 67mm SY48•2C(Y2) filter using Rollei RPX 25 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Honey in the morning, honey in the evening, honey at suppertime. Be my little honey and love me all the time. This photo was taken with a Kowa/SIX medium format film camera with a KOWA LENS-S 1:3.5/150mm lens attached to a T/2 extension tube using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Control Panel on the USS Hornet. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super Multi-Coated Takumar/6X7 1:4.5/75mm lens using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

Pausing a moment to let our horses rest, we revel at the sight of such a beautiful landscape in full living Technicolor. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:4.5/75 lens with a Zenza Bronica 82mm L-1A filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Preserving areas of nature untouched by humans can be a thorny issue for some. This cropped photo was taken by a Hasselblad 500C medium format film camera with a Carl Zeiss Distagon 1:4 f=50mm T* lens and Hoya Infrared R72 ø67 filter using Ilford SFX 200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Fine Art, inside and out. This photo was taken by an Asahi Pentax 6 X 7 and Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens with an Orange 82mm filter using Adox CMS 20 II film, the negative scanned by an Epson Perfection V600 and digitally rendered using Photoshop.

The final rays of sun light up the distant valley before nightfall. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated TAKUMAR/6X7 1:4/200 lens with a Zenza Bronica 67mm SY48•2C(Y2) filter using Bergger Pancro400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The primeval range of the Joshua tree can be found in the remote high mojave desert of southern California. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated TAKUMAR/6X7 1:4/200 lens with a Zenza Bronica 67mm SL39•3C(UV) filter using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

This impregnable barrier protects our sovereign land from the forces of evil on the opposite side! This photo was taken by a Kowa/SIX medium format film camera and a Kowa 1:2.8/85mm lens with a Kowa L39•3C(UV) ø67 filter using CineStill 50D film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Though nothing can bring back the hour Of splendour in the grass, of glory in the flower, We will grieve not, rather find Strength in what remains behind . . . [William Wordsworth] This photo was shot from a Hasselblad 500C medium format film camera with a Carl Zeiss Distagon 1:4 f=50mm lens and Zenza Bronica 67mm SO56•2C(YA3) filter using Rollei RPX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Singing out a welcome to visitors from atop the fence. This photo was taken by a Hasselblad 500C medium format film camera with a Carl Zeiss Sonnar 1:4 f=150mm lens and Zenza Bronica 67mm SY48•2C(Y2) filter using Ilford HP5 Plus 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

A mountainous arid landscape - stark and beautiful. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated TAKUMAR/6X7 1:4/200mm lens and Zenza Bronica 67mm SO56•2C(YA3) filter using Ilford Delta 100 Pro film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Rural land reserved for our bovine friends. This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:5.6/250mm lens with a Kowa L39•3C(UV) ø67 filter using CineStill 50D film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop

You small green shining ball Sweet or sour will you be? This photo was taken by a Kowa/SIX medium format film camera and a KOWA 1:5.6/250mm lens attached to a T/1 (75mm) extension tube with a Kowa L39•3C(UV) ø67 filter using CineStill 50D film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.