imaginary room
bird with plants
imaginary plants
journal page
Birds communicating
Birds communicating
outside angle of box
box outside (collaged papers)
box inside
box inside
Anatomy Trading Cards
warm-up exercise
warm-up exercise
warm-up exercise
blobimal book in progress p1
blobimal book in progress p 2-3
collagescraps book p 1
collagescraps book p 2-3
collagescraps book p 4-5
Hidden-IF (collagescraps book p 6,7 and 4)
collagescraps book p8
Blobimal book - 2nd combination
Blobimal book - 3d combination
IF-equality
Persistence of memory | Persistencia de la memoria
juggler
stranger in the night
weird bird
IF - Surveillance
Elfriede Lohse-Wächtler
Ultramarineblue-eating-fungus
El diablo
Violoncello
La sirena
La muerte
La montaña
La araña
El mundo
El gallo
la resistencia d El corazón
K
desechos
laberinto
Geni y el Zeppelin
Ave Royale
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abstract study
Mainly watercolor with some collage and white gesso on watercolor paper.
It began as an exercise after watching a workshop-dvd from John Salminen (A designed approach to abstraction). He offers a counter-intuitive approach, one has to follow rules or rather prompts. It is very helpful in a way, since I have been having problems with abstraction, but also with leaving white or empty space, which for him is central to a piece. It was a real struggle, but I enjoyed the process very much. I'm still not sure if calling it done, yet. I will take some distance, to see.
It began as an exercise after watching a workshop-dvd from John Salminen (A designed approach to abstraction). He offers a counter-intuitive approach, one has to follow rules or rather prompts. It is very helpful in a way, since I have been having problems with abstraction, but also with leaving white or empty space, which for him is central to a piece. It was a real struggle, but I enjoyed the process very much. I'm still not sure if calling it done, yet. I will take some distance, to see.
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Peter, thank you. I was on a couple of workshops with Jane Davies who uses abstract approach. I never did that before (except for doodling) and I had an ambiguous feeling. On one side I enjoyed it, on the other, I got almost always lost in the process and at one point unable to continue, because I couldn't find a way anymore. In Saliminen's case, he does not leave much space for getting lost without breaking rules, which isn't the way I usually like to work, but here it helped me to find my way. I did nevertheless break rules... we are not supposed to put any recognizable figure which I tried to follow to the very last, when adding what he calls calligraphy. Also fumbled with the white —initial— shape and used white gesso posteriorly to balance. The most rewarding thing was to find a way, I think.
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