Art Gallery / Espaço AmArte

by Rafael BORDALO PINHEIRO (1846-1905), designer, watercolourist, illustrator, decorator, cartoonist, journalist, ceramist and teacher

www.ipernity.com/blog/armando.taborda/807908

the oil painting, in canvas, without title, by Isaura OLIVEIRA, has nothing to do neither with Greece nor democracy

by Eric RAVILIOUS (1939), watercolour (this is a masterpiece; the light tones give us an unexpected sense of depth)

acrylic on canvas, from an unknown painter (the title is mine)

limestone, 16th century, at the Exhibition "PORTUGAL EM DESCOBERTA", Padrão dos Descobrimentos (23 January-25 April), Lisboa

detail of a Lisbon Zoo Garden's gate

by Grace HARTIGAN (1922-2008), American Abstract Expressionist Painter (lightbox view, please)

public sculpture, in CANTANHEDE

(lightbox view, please) "In STRIP, [Writer, Critic, Dealer, Curator] (1999-2000), Jemina STEHLI takes her clothes off in front of a series of influential men from the art world. She has her back to the camera so that we see her strip off from behind - pull down her jeans, step out of her knickers, until she is standing naked in just her high-heeled black shoes. It is the watching men - their expressions, their body language and how it changes as STEHLI removes each bit of clothing - who are the focus here, from the dealer who sits with his legs wide apart, deep in concentration, to the writer who sits with his knees together, a nervous look in his face." by Eleanor BIRNE, in "LONDON REVIEW OF BOOKS", Volume 38, Number 8, April 2016 (extract from her exhibition review)

limestone, 16th century, at the Exhibition "PORTUGAL EM DESCOBERTA", Padrão dos Descobrimentos (23 January - 25 April), Lisboa (lightbox view, please)

Portrait of the terminally ill MUSSORGSKY, painted in the composer's hospital room shortly before his death, depicts his alcohol-fuelled degeneration without sentimentality by Ilya REPIN, realistic painter (1844-1930)

by unidentified author, displayed in the HCV, the title is mine

"Visions of Heaven and Hell", 1985, by Grace HARTIGAN (1922-2008), American Abstract Expressionist painter (click on the picture to see in the lightbox, please)