Scott Holcomb's photos

Come on! You never have enough tie dye! This photo was taken by a Yashica FR-1 SLR film camera using a Yashica ML1:2.8 28mm lens. The Kodak Portra 160 negative was scanned by an HP Scanjet G4050 and digitally rendered in Photoshop.

In the Valley of the Gods, the remains of an ancient shrine rises above the desert floor. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a HOYA HMC 82mm O[G] filter using Kodak Tri-X 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

When I asked for a big slice of the pie, I never expected this! This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens with a Zenza Bronica 82mm L1A filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

In retrospect, it should have been obvious . . . Flash floods can happen here! This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Takumar/6X7 1:2.4/105mm lens with a Zenza Bronica 67mm SO56•2C(YA3) filter using Ilford HP5 Plus 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Terracotta, rust, cognac, ochre, mustard, burnt orange, dusty pink, oxblood, and brick, not to speak of, sage, olive, evergreen, pine, dusty blue, taupe, and greige and, of course, chocolate brown, caramel, sepia, stone gray, charcoal, cream, beige, and tan. Oh yes, I nearly forgot - Sky Blue . . . This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55mm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Colorful buttes stand in majestic silence. This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55mm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Raging waters flowed through the Paria Canyon sweeping everything in its path downstream. An uneasy calm has settled in as the waters have subsided. This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55mm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Introducing a remake of the classic television series, this time in a challenging new setting. Our drama takes place in a tiny settlement located in the remote Paria River Wilderness of southern Utah, featuring eerie visuals, oddball characters and wild dream sequences. This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55mm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Small settlements are clustered near the iconic buttes of Monument Valley where films depicting The Old West have been made. This photo was taken by a Kowa/SIX medium format film camera and KOWA LENS-S 1:3.5/150mm lens with a Kowa L39•3C(UV) ø67 filter using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

On the edge! This photo was taken by a Kowa/SIX medium format film camera and Kowa 1:3.5/55 lens with a Kowa L39•3C(UV) ø67 filter using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Nature has created a geological clock within the layers of earth. This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55mm lens with a HOYA 67mm INFRARED (R72) filter using Rollei IR 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Off trail, a dense growth of trees and shrubs dominate. This photo was taken by a Kiev 88C medium format film camera and an ARSAT B 1:2.8/80mm lens with a Чф-1x 62x0.75 filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

To infinity and beyond. This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55mm lens and Hoya Skylight 1-b 67mm filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Making ends meet in the wild. This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hasselblad/63 1xHz-0 drop in filter using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Today my head seems to be in the clouds . . . This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55mm lens with a HOYA 67mm INFRARED (R72) filter using Rollei IR 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The small town that I live in reserves a public space for local artists to display their work. This photo was taken by a Nikon FE 35mm SLR film camera with a Nikkor-H Auto 1:3.5 f-28mm lens and O56 52mm Nikon filter using Adox CHS 100 II 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

Bay cruiser up for offer. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Mult-Coated Takumar/6X7 1:4.5/75mm lens with a Asahi Pentax 6 X 7 82ø L39(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

A sold out performance. This photo was taken by a Kowa Super 66 medium format film camera with a Kowa 1:3.5/55mm lens and Zenza Bronica 67mm SY48•2C(Y2) filter using Rollei RPX 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.