Scott Holcomb's photos

To all aquatic creatures - danger lurks from above . . . This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Planar 1:2.8 f=80 lens with a Kowa L39•3C(UV) ø67 filter + adapter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.

When everyone is seated the HFF meeting will come to order . . . This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SY46•2C(Y2) filter using Adox CHS 100II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

I have always been interested in fossilized remains of ancient life. That interest also applies to old architectural design elements. San Francisco still retains some dated architecture in splendid shape. Like ancient life where scaly fish crawled out of the sea to eventually over time become modern creatures, the early Victorian designs evolved from scaly façades to the sleek steel and glass skyscrapers that pierce the horizon today. This photo was taken by a Kowa Super 66 medium format film camera with a Kowa 1:4/40mm lens and Fotasy Pro-1-D Wide Band Pro MC UV(W) 95mm Japan filter using CineStill 50D film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The military officers here are ready for any contingency - locked and loaded! This photo was taken by a Minolta Autocord Seikosha-MX (Chiyoko) TLR using Chiyoko Rokkor 75mm f/3.2 & 3.5 lenses with a HOYA HMC 49mm O[G] filter attached to a 30mm to 49mm Bayonet TLR adapter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

A place to sit and rest, and yes, take off your shoes and air them out . . . This photo was taken by a Minolta Autocord Seikosha-MX (Chiyoko) TLR using Chiyoko Rokkor 75mm f/3.2 & 3.5 lenses with a HOYA HMC 49mm O[G] filter attached to a 30mm to 49mm Bayonet TLR adapter using Bergger Pancro 400 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

Sittin' in the mornin' sun I'll be sittin' when the evenin' come Watching the ships roll in And then I watch 'em roll away again, yeah I'm sittin' on the dock of the bay Watching the tide roll away I'm just sittin' on the dock of the bay Wastin' time Songwriters: Stephen Lee Cropper / Otis Redding (Sittin’ on) The Dock of the Bay This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Takumar/6X7 1:2.4/105mm lens with a Kowa L39•3C ø67 filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Since the 1920s Kezar Stadium has hosted sports events. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Macro-Takumar/6X7 1:4/135mm lens and Asahi Pentax 6 X 7 67ø L39(UV) SMC filter using Harman Phoenix 200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

DEVOTED TO OUR MASONIC BRETHREN WHO DIED IN THE CAUSE OF FREEDOM - sculpted by Emile Norman 1957 The Masonic Auditorium This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Takumar/6X7 1:2.4/105mm lens with a Asahi Pentax 6 X 7 67ø L39(UV) SMC filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Hurry before seating runs out! This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Takumar/6X7 1:2.4/105mm lens and Asahi Pentax 6 X 7 67ø L39(UV) SMC filter using Harman Phoenix 200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

A stylish two-unit flat in San Francisco. This photo was taken by a KИEB-60 medium format film camera with a Carl Zeiss Jena DDR Flektogon 4/50 lens using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Enter into the hallowed domaine. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Takumar/6X7 1:2.4/105mm lens and Asahi Pentax 6 X 7 67ø L39(UV) SMC filter using Harman Phoenix 200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Groovy! This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Mult-Coated Takumar/6X7 1:4.5/75mm lens with a Asahi Pentax 6 X 7 82ø L39(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Classic Victorian design elements grace this elegant San Francisco duplex. This photo was taken by a KИEB-60 medium format film camera with a Carl Zeiss Jena DDR Flektogon 4/50 lens using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Entering a celestial sports stadium. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a SMC Pentax 67 1:4 45mm lens and Asahi Pentax 6 X 7 82ø L39(UV) filter using Harman Phoenix 200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Sausalito CA This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Mult-Coated Takumar/6X7 1:4.5/75mm lens with a Asahi Pentax 6 X 7 82ø L39(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Yes, this house represents Winter. This photo was taken by a KИEB-60 medium format film camera with a Carl Zeiss Jena DDR Flektogon 4/50 lens using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Celebrating Glory and Victory. This photo was taken by a Kowa/SIX medium format film camera with a Kowa 1:4/40mm lens and Kowa Skylight L 1-A ø95S filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

We will hold court here. This photo was taken by a Kowa/SIX medium format film camera with a Kowa 1:3.5/150 (ø77) lens and Tiffen 77mm SKY 1-A filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.