Jules-Célestien Devoyod by Unknown with autograph
Alma Fohström von Rode by Trunov with autograph
Ortensia Synnerberg's dedication to Auguso Brogi a…
Ortensia Synnerberg by Fedecki with autograph
Filip Forstén's autograph at the back
Filip Forstén by Dahllöf
Emilio de Bernis by Calzolari with autograph
Oscar Kamionsky by Ouzemsky with autograph
Maria Deysha-Sionitzkaya by Bergamasco (1)
Maria Deysha-Sionitzkaya by Bergamasco (2)
Wilhelmina Raab and Ivan Melnikov by Bergamasco
Medea Mei-Figner by Mariinsky Theatre
Eugenia Mravina and Maria Dolina by Bergamasco
Nikolai Figner by Wesenberg
Josef Paleček and Aleksandra Levitskaya by Levitsk…
Maria Dolina by Bergamasco
Ivan Melnikov by Bergamasco
Dmitri Slaviansky by Oskar Meyer
Ossip Petrov by Wesenberg
Francisco d'Andrade by Schaarwächter (5) with auto…
Theodor Wachtel by Sarony (2)
Theodor Wachtel by Mahlknecht
Constance Nantier-Didiée's autograph at the back
Mira Heller's autograph at the back (2)
Mira Heller by Antonopoulo (1)
Mira Heller's autograph at the back (1)
Augusto Brogi by Bini
Victor Maurel by Nadar
Rosine Bloch by Petit (2)
Marie van Zandt by Benque (4)
Zoé Bélia by Numa Blanc
Céline Anna van Ghell by Mayer & Pierson
Céline Anna van Ghell; dedication and signed Anna
Enrico Tamberlick by Nadar
Enrico Tamberlick by Negretti & Zambra
Adelina Patti and Giovanni Mario by Caldesi
Regina Pacini by Atelier Fillon (Bobone)
Elisa Volpini by Cezar Massat
Elisa Volpini's autograph at the back
Eugène Lorrain by Carjat
Eugène Lorrain's autograph at the back
Antoine Renard by Victoire with autograph
Therese Tietjens by Mayall with autograph
Célestine Galli-Marié by Carjat (2)
Letter by Célestine Galli-Marié to Mr. Briet
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Mira Heller by Antonopoulo (2)
![Mira Heller by Antonopoulo (2) Mira Heller by Antonopoulo (2)](https://cdn.ipernity.com/200/42/68/44814268.6dd447fa.640.jpg?r2)
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Mira Heller (1866-?); Polish mezzosoprano.
She studied singing with Biernacki in Staniswalów and with Paschalis-Souvestre in Lwow (Lemberg). In 1887 she made her debut at Lemberg in the title role of Bizet's "Carmen". In 1890 she made guest appearances at Krakov, Milan and Venice. In the season 1891/92 she appeared at the opera in Odessa and Kiev. In 1892 she was engaged at the Wiener Hofoper and the Budapest Opera. In 1893 she had a great success at the Grand Opera in Warsaw, where she performed the roles of Mignon, Carmen, Amneris (in Aida), Santuzza (in Cavalleria rusticana) and Selika (in L'Africaine). In that same year she continued her vocal studies with the famous soprano Pauline Lucca. In 1894 she made her Metropolitan debut in New York as Mignon, followed by performances as Carmen and Santuzza. She then returned to Europe and continued her career in Poland and Russia. After her marriage she left the stage, but in 1902 she gave some occasional concerts in Krakow under the name of Maria Olszewska. After the first world war she went to the USA where she lived until her death.
On the photo she is seen as Amneris in Verdi's "Aida".
She studied singing with Biernacki in Staniswalów and with Paschalis-Souvestre in Lwow (Lemberg). In 1887 she made her debut at Lemberg in the title role of Bizet's "Carmen". In 1890 she made guest appearances at Krakov, Milan and Venice. In the season 1891/92 she appeared at the opera in Odessa and Kiev. In 1892 she was engaged at the Wiener Hofoper and the Budapest Opera. In 1893 she had a great success at the Grand Opera in Warsaw, where she performed the roles of Mignon, Carmen, Amneris (in Aida), Santuzza (in Cavalleria rusticana) and Selika (in L'Africaine). In that same year she continued her vocal studies with the famous soprano Pauline Lucca. In 1894 she made her Metropolitan debut in New York as Mignon, followed by performances as Carmen and Santuzza. She then returned to Europe and continued her career in Poland and Russia. After her marriage she left the stage, but in 1902 she gave some occasional concerts in Krakow under the name of Maria Olszewska. After the first world war she went to the USA where she lived until her death.
On the photo she is seen as Amneris in Verdi's "Aida".
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