Mira Heller's autograph at the back (1)
Mira Heller by Antonopoulo (1)
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Mira Heller by Antonopoulo (2)
Jules-Célestien Devoyod by Unknown with autograph
Alma Fohström von Rode by Trunov with autograph
Ortensia Synnerberg's dedication to Auguso Brogi a…
Ortensia Synnerberg by Fedecki with autograph
Filip Forstén's autograph at the back
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Emilio de Bernis by Calzolari with autograph
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Wilhelmina Raab and Ivan Melnikov by Bergamasco
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Eugenia Mravina and Maria Dolina by Bergamasco
Nikolai Figner by Wesenberg
Josef Paleček and Aleksandra Levitskaya by Levitsk…
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Ivan Melnikov by Bergamasco
Dmitri Slaviansky by Oskar Meyer
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Rosine Bloch by Petit (2)
Marie van Zandt by Benque (4)
Zoé Bélia by Numa Blanc
Céline Anna van Ghell by Mayer & Pierson
Céline Anna van Ghell; dedication and signed Anna
Enrico Tamberlick by Nadar
Enrico Tamberlick by Negretti & Zambra
Adelina Patti and Giovanni Mario by Caldesi
Regina Pacini by Atelier Fillon (Bobone)
Elisa Volpini by Cezar Massat
Elisa Volpini's autograph at the back
Eugène Lorrain by Carjat
Eugène Lorrain's autograph at the back
Antoine Renard by Victoire with autograph
Therese Tietjens by Mayall with autograph
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Letter by Célestine Galli-Marié to Mr. Briet
Célestine Galli-Marié by Bingham
Célestine Galli-Marié by Lumière
Célestine Galli-Marié by Nadar (2)
Blanche Cole by Elliott & Fry
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Augusto Brogi by Bini
Augusto Brogi (1847-1917); Italian baritone and tenor.
He studied under Romani and Bianchi at the Istituto Musicale di Firenze in Florence. In the season 1871/72 he successfully made his debut (as a baritone) in Teatro Pagliano in Petrella's "Contessa di Amalfi". After performances in various theatres of Florence, he moved to Rome to sing at the Apollo theatre, then to Milan where he sang at La Scala, Dal Verme and the Teatro Manzoni.This was followed by appearances in Venice at the Teatro La Fenice and in Bologna at the Teatro Comunale. When Brogi was preparing himself for the role of Iago in Verdi's "Otello" he discovered that the tenor role of Otello was closer to his heart. And after 15 years of being a baritone, he moved to tenor roles which he continued for another 15 successful years. The historical chronicles say his easy way of singing, his extremely soft and pleasant timbre, his delivery, classic gestures and interpretation, made it possible for the gifted artist to play a very broad range of roles. Later on his career as he became more and more successful, he also performed in most of the major theatres of Paris, Vienna, St.Petersburg, Stockholm, Pest, Copenhagen, Moscow, Buenos Aires and Rio de Janeiro. His wide repertoire included 70 operas with famous roles by Verdi, Rossini, Bellini, Donizetti and Bizet among his favourites.
He studied under Romani and Bianchi at the Istituto Musicale di Firenze in Florence. In the season 1871/72 he successfully made his debut (as a baritone) in Teatro Pagliano in Petrella's "Contessa di Amalfi". After performances in various theatres of Florence, he moved to Rome to sing at the Apollo theatre, then to Milan where he sang at La Scala, Dal Verme and the Teatro Manzoni.This was followed by appearances in Venice at the Teatro La Fenice and in Bologna at the Teatro Comunale. When Brogi was preparing himself for the role of Iago in Verdi's "Otello" he discovered that the tenor role of Otello was closer to his heart. And after 15 years of being a baritone, he moved to tenor roles which he continued for another 15 successful years. The historical chronicles say his easy way of singing, his extremely soft and pleasant timbre, his delivery, classic gestures and interpretation, made it possible for the gifted artist to play a very broad range of roles. Later on his career as he became more and more successful, he also performed in most of the major theatres of Paris, Vienna, St.Petersburg, Stockholm, Pest, Copenhagen, Moscow, Buenos Aires and Rio de Janeiro. His wide repertoire included 70 operas with famous roles by Verdi, Rossini, Bellini, Donizetti and Bizet among his favourites.
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