London 2010
Folder: Great Britain
Another Day
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Not in your day, not in my day. by Birdseed? Along the Regent's Canal, near Mare Street.
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Mighty Mo & Sweet Toof (again)
The Early Bird
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Along the Regent's Canal, somewhere east of Mare Street.
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Roa & Sweet Toof
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Along the Regent's Canal, somewhere east of Mare Street.
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Calm down, what happens happens mostly without you
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Along the Regent's Canal, somewhere east of Mare Street.
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Spray Painter Dude
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Along the Regent's Canal, somewhere east of Mare Street.
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Sweet Toof Canal Rat
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Along the Regent's Canal, somewhere east of Mare Street.
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Tropical Retreat
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Along the Regent's Canal, somewhere near Mile End Park. It looks like a tropical isle in the city.
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Guardian
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On top of a canal boat, along the Regent's Canal, somewhere near Victoria Park.
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Harlequin Canalboat
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Along the Regent's Canal, somewhere near Victoria Park.
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Wonky Threesome
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East Smithfield. Heron Tower on the left, the Gherkin in the middle, and Tower 24 (Nat West Tower) on the right. The old building in the foreground is Rotherwick House. The newer, glass building is Thomas More Square.
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Office Rage
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Banksy stencil, in The Highway. It had only been there a couple of days when I took this photo.
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Eco-Warrior
Busy Bees
Tilting Tomb
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I was surprised to see a cactus (and such a large one) in central London. St Andrew's Gardens, Gray's Inn Road.
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Thomas Coram
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Founder of the Foundling Hospital, the first home in London for abandoned children.
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Threads of Feeling
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Installation in the stairwell, made in conjunction with the exhibition Threads of Feeling at the Foundling Museum. All the ribbons came from V V Rouleaux, the ribbon shop in Marylebone.
About the exhibition: "Threads of Feeling will showcase fabrics never shown before to illustrate the moment of parting as mothers left their babies at the original Foundling Hospital, which continues today as the children’s charity Coram.
"In the cases of more than 4,000 babies left between 1741 and 1760, a small object or token, usually a piece of fabric, was kept as an identifying record. The fabric was either provided by the mother or cut from the child’s clothing by the hospital's nurses. Attached to registration forms and bound up into ledgers, these pieces of fabric form the largest collection of everyday textiles surviving in Britain from the 18th Century."
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Camille Silvy
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This was a really interesting exhibition. I hadn't thought of street photography as being something dating back to the 19th century. He also did portrait photography, but I thought the images of the streets were much more compelling. He also did a lot of manipulation of the images, e.g. using several different negatives to form one image -- sort of like PhotoShop layers, 100 years before PS. www.npg.org.uk/whatson/exhibitions/2010/camille-silvy1/ex...
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