Carrù, paese agricolo
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USA - Utah, Wilson Arch
Dorchester lagoon
Frühlingstag im Vogtland
Wanderweg auf dem alten Hetzdorfer Viadukt
Blick zur Hetzbachtalbrücke der Strecke Dresden -…
Blick über die Flöha vom Viadukt Richtung Süden
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highland with one sheep
Cats and dogs at the foothills of The Quaraing, hi…
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Beautiful view on my village
Spring landscape
Oil seed rape
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Lohmar - Wiese mit Bäumen
Florescence
River Glyme at Blenheim
River Glyme at Blenheim
reflections of a palace
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Oxford radar
Castries- Bel Jou Hotel
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Detail of View of Cagnes by Soutine in the Metropo…
View of Cagnes by Soutine in the Metropolitan Muse…
View of Cagnes by Soutine in the Metropolitan Muse…
Quiet Countryside.
USA - Utah, Dead Horse Point State Park
Waterwynch fields from coastal path
Kirtlington Quarry
Kirtlington labyrinth
Lagune de la Ria Formosa, Faro (Portugal)
HFF
wanderlicht | walking lights
Trout Creek - Hillsborough River 001
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Scotland, Alba :: Isle of Skye, B8083 to Torrin, w…
Dreaming Spires of Botley
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Green Landscape.
Wheatley from Shotover Hill
Sculptures by the sea ( On Explore )
Bárrásvuovdi - Parasdalen
USA - Utah, Paria Rimrocks
20170305 105409
Klein autootje in groot landschap
Борак
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Kananaskis, through the windshield
Hillsborough River State Park 008
USA - Utah, Coral Pink Sand Dunes State Park
Paysage, Castille-et-Leon (Espagne)
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Detail of View of Cagnes by Soutine in the Metropolitan Museum of Art, January 2019
View of Cagnes,ca. 1924–25
Object Details
Artist: Chaim Soutine (French (born Lithuania), Smilovitchi 1893–1943 Paris)
Date: ca. 1924–25
Medium: Oil on canvas
Dimensions: 23 3/4 × 28 7/8 in. (60.3 × 73.3 cm)
Classification: Paintings
Credit Line: The Mr. and Mrs. Klaus G. Perls Collection, 1997
Accession Number: 1997.149.2
Soutine made his way to Paris in 1913 in pursuit of a career as a painter. There, he became friends with other Russian Jewish artists, such as Marc Chagall and Amedeo Modigliani. While he did not adhere to one particular style, he gravitated to the expressive work of El Greco, Vincent van Gogh, and the Fauves. Best known for his dramatic figure and still-life paintings, Soutine also made landscapes. From 1923 to 1925, the artist spent time in the mountain village of Cagnes along the French Riviera, where he made this canvas. The blue, green, and ocher palette here suggests the serene atmosphere of the region, while the swirling, energetic brushwork gives the village a distorted, pulsating quality.
Text from: www.metmuseum.org/art/collection/search/486840
Object Details
Artist: Chaim Soutine (French (born Lithuania), Smilovitchi 1893–1943 Paris)
Date: ca. 1924–25
Medium: Oil on canvas
Dimensions: 23 3/4 × 28 7/8 in. (60.3 × 73.3 cm)
Classification: Paintings
Credit Line: The Mr. and Mrs. Klaus G. Perls Collection, 1997
Accession Number: 1997.149.2
Soutine made his way to Paris in 1913 in pursuit of a career as a painter. There, he became friends with other Russian Jewish artists, such as Marc Chagall and Amedeo Modigliani. While he did not adhere to one particular style, he gravitated to the expressive work of El Greco, Vincent van Gogh, and the Fauves. Best known for his dramatic figure and still-life paintings, Soutine also made landscapes. From 1923 to 1925, the artist spent time in the mountain village of Cagnes along the French Riviera, where he made this canvas. The blue, green, and ocher palette here suggests the serene atmosphere of the region, while the swirling, energetic brushwork gives the village a distorted, pulsating quality.
Text from: www.metmuseum.org/art/collection/search/486840
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