Detail of Three Tahitian Women by Gauguin in the M…
Ia Orana Maria by Gauguin in the Metropolitan Muse…
Detail of Ia Orana Maria by Gauguin in the Metropo…
Detail of Ia Orana Maria by Gauguin in the Metropo…
Detail of Ia Orana Maria by Gauguin in the Metropo…
Detail of Ia Orana Maria by Gauguin in the Metropo…
Tahitian Women Bathing by Gauguin in the Metropoli…
The Card Players by Cezanne in the Metropolitan Mu…
Detail of Bathers by Cezanne in the Metropolitan M…
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Detail of Madame Cezanne in a Red Dress by Cezanne…
Still Life with Apples and a Pot of Primroses by C…
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Still Life with Apples and Pot of Primroses by Cez…
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Still Life with a Ginger Jar and Eggplants by Ceza…
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Detail of House Behind Trees Near the Jas de Bouff…
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Pool at the Jas de Bouffan by Cezanne in the Metro…
Mont Sainte-Victoire and the Viaduct of the Arc Ri…
The Pool at the Jas de Bouffan by Cezanne in the M…
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Garden by Bonnard in the Metropolitan Museum of Ar…
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Group of Bathers by Cezanne in the Philadelphia Mu…
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Portrait of Madame Cezanne in the Philadelphia Mus…
Detail of Houses at Auvers by Van Gogh in the Bost…
Houses at Auvers by Van Gogh in the Boston Museum…
Detail of the Portrait Madame Roulin and Baby by V…
Detail of the Portrait Madame Roulin and Baby by V…
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Rain by Van Gogh in the Philadelphia Museum of Art…
Bay of L'Estaque by Cezanne in the Philadelphia Mu…
Vase of Roses by Van Gogh in the Metropolitan Muse…
Three Tahitian Women by Gauguin in the Metropolita…
Detail of A Farm in Brittany by Gauguin in the Met…
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Olive Orchard by Van Gogh in the Metropolitan Muse…
Women Picking Olives by Van Gogh in the Metropolit…
A Farm in Brittany by Gauguin in the Metropolitan…
Detail of Sunflowers by Van Gogh in the Metropolit…
Sunflowers by Van Gogh in the Metropolitan Museum…
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Shoes by Van Gogh in the Metropolitan Museum of Ar…
Detail of L'Arlesienne by Van Gogh in the Metropol…
Detail of L'Arlesienne by Van Gogh in the Metropol…
Detail of Shoes by Van Gogh in the Metropolitan Mu…
Vase of Roses by Van Gogh in the Metropolitan Muse…
Detail of L'Arlesienne by Van Gogh in the Metropol…
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L'Arlesienne by Van Gogh in the Metropolitan Museu…
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Madame Roulin and her Baby by Van Gogh in the Metr…
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Detail of Woman Rocking a Cradle by Van Gogh in th…
Detail of Woman Rocking a Cradle by Van Gogh in th…
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Detail of Morning, Interior by Luce in the Metropo…
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Gray Weather, Grand Jatte by Seurat in the Metropo…
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Detail of Circus Sideshow by Seurat in the Metropo…
Detail of Circus Sideshow by Seurat in the Metropo…
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Circus Sideshow by Seurat in the Metropolitan Muse…
Detail of Roulin's Baby by Van Gogh in the Nationa…
Chateau Noir by Cezanne in the National Gallery, S…
Detail of Girl in White by Van Gogh in the Nationa…
Roulin's Baby by Van Gogh in the National Gallery,…
Girl in White by Van Gogh in the National Gallery,…
The Lighthouse at Honfleur by Seurat in the Nation…
Roulin's Baby by Van Gogh in the National Gallery,…
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Detail of Turn in the Road by Cezanne in the Bosto…
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Madame Cezanne in a Red Armchair by Cezanne in the…
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Where Do We Come From? What Are We? Where Are We G…
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L'Arlesienne by Van Gogh in the Metropolitan Museum of Art, November 2009
L'Arlésienne: Madame Joseph-Michel Ginoux (née Marie Julien, 1848–1911), 1888–89
Vincent van Gogh (Dutch, 1853–1890)
Oil on canvas
36 x 29 in. (91.4 x 73.7 cm)
Bequest of Sam A. Lewisohn, 1951 (51.112.3)
Marie Ginoux was the proprietress of the Café de la Gare, where Van Gogh lived in Arles between May and September 1888, before he moved into the nearby Yellow House. In early November, wearing the regional costume of the legendary dark-haired beauties of Arles, she posed for both Van Gogh and Paul Gauguin. Van Gogh was thrilled to "have an Arlésienne at last" and quickly "slashed on in an hour" his first, more summarily executed version of this portrait (Musée d'Orsay, Paris), using the thick jute canvas that Gauguin had brought with him to Arles. Later, Van Gogh enhanced that image by adorning the tabletop with two accessories befitting an Arlésienne: a parasol and gloves. Those finishing touches were probably added in December 1888 or January 1889, when he revisited the composition to use it as the prototype for the Museum's painting. Relying on more saturated and richly applied colors to add substance to the character of his sitter, and showing her seated at a table with books, Van Gogh made this more compelling portrait of his friend—which he gave to her.
Text from: www.metmuseum.org/toah/hd/poim/ho_51.112.3.htm
Vincent van Gogh (Dutch, 1853–1890)
Oil on canvas
36 x 29 in. (91.4 x 73.7 cm)
Bequest of Sam A. Lewisohn, 1951 (51.112.3)
Marie Ginoux was the proprietress of the Café de la Gare, where Van Gogh lived in Arles between May and September 1888, before he moved into the nearby Yellow House. In early November, wearing the regional costume of the legendary dark-haired beauties of Arles, she posed for both Van Gogh and Paul Gauguin. Van Gogh was thrilled to "have an Arlésienne at last" and quickly "slashed on in an hour" his first, more summarily executed version of this portrait (Musée d'Orsay, Paris), using the thick jute canvas that Gauguin had brought with him to Arles. Later, Van Gogh enhanced that image by adorning the tabletop with two accessories befitting an Arlésienne: a parasol and gloves. Those finishing touches were probably added in December 1888 or January 1889, when he revisited the composition to use it as the prototype for the Museum's painting. Relying on more saturated and richly applied colors to add substance to the character of his sitter, and showing her seated at a table with books, Van Gogh made this more compelling portrait of his friend—which he gave to her.
Text from: www.metmuseum.org/toah/hd/poim/ho_51.112.3.htm
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