Aotearoa
I did not really see my country until I moved my life to America in 2008. In trying to understand America, and the struggle that ensued, I finally saw my own country. Of course this is more than just the landmass. It involves the thing that essentially makes a country, the people and the minds of the people. I think patriotism is responsible for a huge amount of ignorance and hurt, so I do not cal…
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Beech Tree
Beech Tree
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Samsung cellphone image. Love this tree....most trees in fact. Hope to do some film images of this for lith prints.
South Island New Zealand
Beech Forest Sth Island New Zealand
Sth Island New Zealand
Sth Island New Zealand
Sth Island New Zealand
Sth Island New Zealand
On The Road To Dargaville No.1
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© Graham Hughes 2016
All Rights Reserved
Silver gelatin test print from FP4+ neg developed in Tanol. Camera Canon AE1 Prog. Print scanned and minimal level tweak. Pretty straight. Burned in the sky more in the DR in this version.
On The Road To Dargaville No.2
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© Graham Hughes 2016
All Rights Reserved
Silver gelatin test print from FP4+ neg developed in Tanol. Camera Canon AE1 Prog. Print scanned and minimal level tweak. Pretty straight. the sky was under exposed in this version.
Engelberts Muse
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin 6 x 8 3/4 " print, from Fuji HR2 Microfilm developed in Finol. Camera EOS 10s. Paper Tetenal Vario Matt. Paper Developer was a soup of film developers and old Ilford Warmtone. Scanned and tweaked lovingly.
Maungatapere Vegetables
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© Graham Hughes 2015
All Rights ReservedEOS 10s SLR, Canon 70-200, Fujifilm HR2 Microfilm, developed in Tanol 10mins. Straight scan and invert and slight level adjust.The sepia result is the inversion of the slight blue of the scan.
Wet Afternoon In Maungatapere New Zealand
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© Graham Hughes 2015
All Rights Reserved
EOS 10s SLR, Canon 70-200, Fujifilm HR2 Microfilm, developed in Tanol 10mins. Straight scan and invert and slight level adjust. The sepia result is the inversion of the slight blue of the scan.
Where Warriors Sleep
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative process.
Ernmann Globus 5 x 7 LF camera,
Industar 37 300 mm lense.
Exposure 10 seconds at sundown. Agfa expired gloss paper.
Taken on road to Poroti, Northland New Zealand.
While I love having a real gallery ...Gallery259 and having images on real walls and somewhere to play........I find the bind keeping me from travelling the sideroads that call me...............the whenua (land) is so very very beautiful. I am feeling free to load some paper and shut the doors and disappear up the road and find treasure like this.. Can you see the face on the tree, the warriors head resting and the fallen at the base of the tree...magic.
Play Misty For Me
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© Graham Hughes 2015
All Rights Reserved
Canon EOS 30D Helios Wide Angle Auto 35mm f 2:8 lens
Ghostville
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© Graham Hughes 2015
All Rights Reserved
Emulsion lift silver gelatin paper negative prints. (silver gelatin prints) Scanned and tweaked lovingly in Nik SFX Pro 2
Digital birth, analogue end.
This print was actually under exposed in the enlarger........but I kinda like that high key look..
Shelter From The Storm
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© Graham Hughes 2015
All Rights Reserved
Emulsion lift silver gelatin paper negative prints. (silver gelatin prints) Scanned and tweaked lovingly in Nik SFX Pro 2
Digital birth, analogue end.
Women At The Well
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© Graham Hughes 2015
All Rights Reserved
Emulsion lift silver gelatin paper negative prints. (silver gelatin prints) Scanned and tweaked lovingly in Nik SFX Pro 2
The building is the Cornish Pumphouse by The Martha Goldmine in Waihi New Zealand. The building was moved 100 meters back from the edge of the mine some years ago to preserve it. The original image was shot on my EOS 30D.
If anyone would like to know more about this process, please let me know and I will share it.
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