Ernst Van Dyke & Marie Renard by Adele
Emma Albani by Sarony (2)
Elias Nathan by Bureau
Bernadine Hamakers By Disderi
Marie Blanch Peschard by Maunoury
Giulia Sanchioli-de-Filippi by Unknown
Pauline Viardot-Garcia by Carjat (1)
Minna Peschka-Leutner by Eulenstein
Therese Malten By Hoffert
Blanch Boidin-Puisais by Luzzatto (Autographed 190…
Sigrid Arnoldson by Reutlinger
Adelaide Phillips by Sarony
Ilma De Murska By Gurney
Mole-Truffier Reverse by Chalot
Marie Rappold by Aime Dupont
Zoe Mole-Truffier & Lucien Fugere By Chalot
Anders Willman by Florman
Oscar Arnoldson by Florman
Pierre Villaret by Carjat
Adelina Patti by Mayer & Pierson (17)
Guillaume Albert Lubert by Aime Dupont
Josefine Reinl by Sarony
Adelaide Phillips by Sarony
Théophile-Adolphe Manoury by Pierre Petit
Marie Moreau-Sainti by Disderi
Eduard Nawiasky by Katharina Culie
Emil Gotze by Reichard & Linder
Mario by Disderi
Marie Brema by Ritzmann
Marie Brema by Aime Dupont
Adelaide Phillips by Unknown
Mily Meyer by Chalot
Marie Rappold by Aime Dupont
Georg Anthes by Aime Dupont
Baptiste Pierre Marty by Bernoud
Louis Henri Obin by Disderi
Charles Marie August Ponchard by Reutlinger
Auguste-Acanthe Boudouresque by Pierre Petit
Janet Patey by Downey Autographed
Simms Reeves by Unknown
Louise Liebhardt by Elliott & Fry
Anton Woworsky by Luckhardt
Minnie Hauk by Ross (3)
Julian Gayarre by Benque
Marie Lafargue by Bugle Autographed
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Marie Renard by Adele
Renard as Manon 'Manon" Massenet
MARIE RENARD
(Marie Polzl)
(8 January 1864 – 19 October 1939)
Austrian Mezzo Soprano
Studied voice with Louise Weinlich-Tipka in her native city of Graz and later in Berlin with Rosa de Ruda. She debuted in 1882 in Graz as Azucena in Verdi's "Il trovatore", (1884–1885) she sang at the German Theatre in Prague. After making guest appearances in the title roles of Bizet's Carmen and Ambroise Thomas' Mignon at the Berlin Hofoper in 1885, she became a member of that company from 1885 to 1888 and sang there in the premiere of Heinrich Hofmann's Donna Diana in 1886.In 1888 she was engaged at the Vienna Hofoper .She was known for
her portrayals of roles in French operas (sung in German), in particular as Carmen.
Sang in World Permieres of as Eva in " Ritter Pázmán "by Johann Strauss II 1892 Charlotte Massenet's "Werther" 1892 ,Frau Dot in the world premiere of Goldmark's " Das Heimchen am Herd " 1896 .
She sang the title role in the first Viennese performance's of Massenet's "Manon" (1890) and Tatjana Tchaikovsky's Eugene Onegin (1897).
Other roles in Vienna included Cherubino in Figaros Hochzeit (Mozart's Le nozze di Figaro in German), Zerline in Mozart's Don Giovanni, the title roles in Mignon by Thomas and Djamileh by Bizet, Ännchen in Weber's Der Freischütz, Angela in Auber's Le domino noir, Rosalinde in Die Fledermaus by Johann Strauss II, Musetta in Puccini's La bohème, and Hänsel in Humperdinck's Hänsel und Gretel.
Her farewell performance was as Carmen in 1900
MARIE RENARD
(Marie Polzl)
(8 January 1864 – 19 October 1939)
Austrian Mezzo Soprano
Studied voice with Louise Weinlich-Tipka in her native city of Graz and later in Berlin with Rosa de Ruda. She debuted in 1882 in Graz as Azucena in Verdi's "Il trovatore", (1884–1885) she sang at the German Theatre in Prague. After making guest appearances in the title roles of Bizet's Carmen and Ambroise Thomas' Mignon at the Berlin Hofoper in 1885, she became a member of that company from 1885 to 1888 and sang there in the premiere of Heinrich Hofmann's Donna Diana in 1886.In 1888 she was engaged at the Vienna Hofoper .She was known for
her portrayals of roles in French operas (sung in German), in particular as Carmen.
Sang in World Permieres of as Eva in " Ritter Pázmán "by Johann Strauss II 1892 Charlotte Massenet's "Werther" 1892 ,Frau Dot in the world premiere of Goldmark's " Das Heimchen am Herd " 1896 .
She sang the title role in the first Viennese performance's of Massenet's "Manon" (1890) and Tatjana Tchaikovsky's Eugene Onegin (1897).
Other roles in Vienna included Cherubino in Figaros Hochzeit (Mozart's Le nozze di Figaro in German), Zerline in Mozart's Don Giovanni, the title roles in Mignon by Thomas and Djamileh by Bizet, Ännchen in Weber's Der Freischütz, Angela in Auber's Le domino noir, Rosalinde in Die Fledermaus by Johann Strauss II, Musetta in Puccini's La bohème, and Hänsel in Humperdinck's Hänsel und Gretel.
Her farewell performance was as Carmen in 1900
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