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Paintings, Ajanta Cave # XVII
www.trawell.in/maharashtra/ajanta-caves/cave-17-18
Cave 17 is a Mahayana monastery covered with many well-preserved wall paintings. A Brahmi inscription found here records the excavation of this cave by a feudatory prince under Vakataka king Harishena. This monastery consists of a spacious hall surrounded by 17 cells on three sides, a vestibule and a sanctum containing the image of Buddha. The porch doorway of cave 17 is similar to that of cave 16, with which it is contemporary. The panel above the doorway depicting the seven Manushi Buddhas (Buddhas in human form) together with the Maitreya or future Buddha seated under their respective Bodhi trees.
Cave 17 is a Mahayana monastery covered with many well-preserved wall paintings. A Brahmi inscription found here records the excavation of this cave by a feudatory prince under Vakataka king Harishena. This monastery consists of a spacious hall surrounded by 17 cells on three sides, a vestibule and a sanctum containing the image of Buddha. The porch doorway of cave 17 is similar to that of cave 16, with which it is contemporary. The panel above the doorway depicting the seven Manushi Buddhas (Buddhas in human form) together with the Maitreya or future Buddha seated under their respective Bodhi trees.
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Jataka Tales originated in India and pertain to the previous births of Gautama Buddha. These are among the earliest Buddhist literature, dating to 4th century BC. The literature describes early incarnations of Buddha in human or animal form. Many of the tales are set in or near Varanas by the River Ganga. One of the world’s oldest cities, Varanasi is among the sacred spots for Hindus, Buddhists and Muslims alike. Buddha began his teachings at Sarnath, a short distance of 9.5 km from Varanasi.
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