Evening Light
Swami Dosa Grill
Hilo evening
Grand Ma & me R friends
Land that rose
Aloha girl
By the sea side
Color of dusk
Primerose Road
In the volcanic Park
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On the edge / Kīlauea Iki is a pit crater
Culture & illusion
Golden Gate Bridge
An evening by the Golden Gate
An evening by the Golden Gate
Flower Conservatory
Pitcher Plant
Pano ~ Flower Conservatory
On an elevated substratum
Golden Hour
Sunset at Kona, Hawaii
Reflection
Chevrolet
On the Southern most point of USA
An evening on the rocks
Sunset
Colours in the world of spiders
Tractor
James Cook shore
James Cook shore
James Cook shore
Fishing
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In a way, this is Campus’ variant on Heidegger’s question of Being. Heidegger thought the questionable nature of existence looms up when a hammer breaks: Camus thought similarly basic collapses in everyday projects allow to ask the biggest question in life. Also like Heidegger, he thought the answer took the form of a decision rather than a statement: for Camus, we must decide whether to give up or keep going. If we keep going, it must be on the basis of accepting that there is no ultimate meaning to what we do. Camus concludes his book with Sisyphus resuming his endless task while resigning himself to its absurdity. This: “one must imagine Sisyphus happy.’ ~ Page 150
. . . . Richard Taylor (American philosopher) imagines a variant on the story of Sisyphus, in which the gods “waxed perversely mercifully by implanting in him a strange and irrational impulse . . . to roll stones.” If we accept a subjectivist account of meaning, we would have to accept that, under these circumstances, Sisyphus’s life would have become meaningful merely because he would then find his life of stone-rolling immensely meaningful. Yet many of us think that although it would be a satisfying life, it would also be a meaningless one. Similarly, it seems odd to think that lives devoted to watching soap operas, counting hairs on people’s heads, . . . would be meaningful even if they were felt to be meaningful by the person who lived them. ~ Page 25
it is during that return, that pause, that Sisyphus interests me. A face that toils so close to stone is already stone itself! I see that man going back down with a heavy yet measured step toward the torment of which he will never know the end. That hour like breathing-space which returns as surely as his suffering, that is the hour of consciousness. At each of those moments when he leaves the heights and gradually sinks toward the lairs of the gods, he is superior to his fate. He is stronger than his rock
If this myth is tragic, that is because its hero is conscious. Where would his torture be, indeed, if at every step the hope of succeeding upheld him? The workman of today works every day in his life at the same tasks, and this fate is no less absurd. But it is tragic only at the rare moments when it becomes conscious. Sisyphus, proletarian of the gods, powerless and rebellious, knows the whole extent of his wretched condition: it is what he thinks of during his descent. The lucidity that was to constitute his torture at the same time crown his victory. There is no fate that cannot be surmounted by scorn. ~ Page 120 Excerpt: "Myth of Sisyphus" Author: Albert Camus
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