Jenny Lind by Hansen (1)
Enrico Tamberlick by Nadar (1)
Achille Tamberlick by Robillard
Enrico Tamberlick by Mayer & Pierson (2)
Carlotta Marchisio by Trinquart
Barbara and Carlotta Marchisio by Disdéri (1)
Barbara Marchisio by Trinquart
Barbara Marchisio by Mieczkowski
Barbara Marchisio's autograph at the back
Carlotta Marchisio by Bergamasco with autograph
Leopold Matuszynski by Sachowicz
Adelaïde Joséphine Vadé-Bibre by Disdéri
Caroline Vadé by Disdéri (1)
Caroline Duprez-Van den Heuvel by Disdéri (2)
Caroline Duprez-Van den Heuvel by Disdéri (1)
Caroline Duprez-Van den Heuvel and husband by Disd…
Madame Beaucé, mother of Delphine Ugalde by Consta…
Delphine Ugalde by Constantin (2)
Marguerite Ugalde by Wesenberg
Delphine Ugalde by Constantin (1)
Valérie Tual by Numa Blanc (2)
Valérie Tual by Numa Blanc (1)
Delphine Ugalde by Ken (3)
Jenny Lind by Hansen (2)
Anna de Belocca by Reutlinger (1)
Anna de Belocca's autograph at the back
Anna de Belocca by Reutlinger (2)
Minnie Hauk by Reutlinger
Minnie Hauk by Schaarwächter
Minnie Hauk by Unknown
Louis Barrielle by Disdéri
Louis Barrielle by Constantin
Carolina Ferni by Sidoli (1) with autograph
Virginia Ferni by Le Lieure
Carolina Ferni's autograph at the back
Carolina Ferni by Le Lieure
Jules-Sébastien Montjauze by Bureau (1)
Jules-Sébastien Montjauze by Bureau (2)
Jules-Sébastien Montjauze by Maze
Nicolas-Jean-Jacques Masset by Petit
Enrico delle Sedie by Nadar
Charles Louis Pubereaux (Sainte Foy) by Bingham
Elisa Wiborg by Waldemar Dahllöf
Marianne Brandt's autograph at the back
Marianne Brandt by Unknown
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Jenny Lind by Bieber
Jenny Lind (1820-1887); Swedish soprano. She made her debut in 1838 at the Stockholm Opera in "Der Freischütz". In the years to follow she sang at Paris, but with little succes because of voice-problems. After a studie of two years with the famous voice-teacher Manuel Garcia jr. she recovered her voice and from then on she had a triumphal career. In 1847 she was engaged in London at Her Majesty's Theatre where she debuted as Alice in Meyerbeer's "Robert le Diable". Also in 1847 she created here the role of Amalia in the world première of Verdi’s “I Masnadieri” (with Luigi Lablache as Massimiliano and Italo Gardoni as Carlo). The premiere was attended by Queen Victoria and Prince Albert. In 1849 (at the age of 29) she retired from the opera-stage . From then on she only performed as a concertsinger. During the years 1850-1852 she made a concert-tour through the United States and gave 93 concerts under the management of P.T. Barnum. She retired from singing in 1883.
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