Detail of Slave Ship by Turner in the Boston Museu…
Detail of Slave Ship by Turner in the Boston Museu…
Detail of Slave Ship by Turner in the Boston Museu…
Detail of Slave Ship by Turner in the Boston Museu…
Detail of Slave Ship by Turner in the Boston Museu…
Detail of Slave Ship by Turner in the Boston Museu…
Detail of Slave Ship by Turner in the Boston Museu…
Shall We be More Tender with our Dollars...in the…
Detail of Shall We be More Tender with our Dollars…
Hello This is Liberty Speaking... in the Metropoli…
Hello This is Liberty Speaking... in the Metropoli…
Hello This is Liberty Speaking... in the Metropoli…
Stele of Protective Goddess Lama in the Metropolit…
Detail of the Stele of Protective Goddess Lama in…
Dorsal Plate Ornament in the Metropolitan Museum o…
Dorsal Plate Ornament in the Metropolitan Museum o…
Statue in Historic Richmond Town, April 2016
Statue in Historic Richmond Town, April 2016
Beer Advertisement in Historic Richmond Town, Apri…
Bull's Head Sign in Historic Richmond Town, April…
Carousel Horse in Historic Richmond Town, April 20…
Carousel Horse in Historic Richmond Town, April 20…
Detail of the Carousel Horse in Historic Richmond…
Detail of Slave Ship by Turner in the Boston Museu…
Slave Ship by Turner in the Boston Museum of Fine…
Slave Ship by Turner in the Boston Museum of Fine…
Slave Ship by Turner in the Boston Museum of Fine…
Impressionism Gallery in the Boston Museum of Fine…
Impressionism Gallery in the Boston Museum of Fine…
Detail of Where Do We Come From? What are We? Wher…
Detail of Where Do We Come From? What are We? Wher…
Detail of Where Do We Come From? What are We? Wher…
Detail of Where Do We Come From? What are We? Wher…
Detail of Where Do We Come From? What are We? Wher…
Detail of Where Do We Come From? What are We? Wher…
Detail of Where Do We Come From? What are We? Wher…
Detail of Where Do We Come From? What are We? Wher…
Where Do We Come From? What are We? Where are We G…
Where Do We Come From? What are We? Where are We G…
Detail of Women of Paris Circus Lover by Tissot in…
Detail of Women of Paris Circus Lover by Tissot in…
Detail of Women of Paris Circus Lover by Tissot in…
Detail of Women of Paris Circus Lover by Tissot in…
Women of Paris Circus Lover by Tissot in the Bosto…
Women of Paris Circus Lover by Tissot in the Bosto…
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
29 visits
Detail of Slave Ship by Turner in the Boston Museum of Fine Arts, January 2018
Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On)
Joseph Mallord William Turner (English, 1775–1851)
1840
Medium/Technique: Oil on canvas
Dimensions 90.8 x 122.6 cm (35 3/4 x 48 1/4 in.)
Credit Line Henry Lillie Pierce Fund
Accession Number: 99.22
Collections: Europe
Classifications: Paintings
One of Turner's most celebrated works, "Slave Ship" is a striking example of the artist's fascination with violence, both human and elemental. He based the painting on an 18th-century poem that described a slave ship caught in a typhoon and on the true story of the Zong, a British ship whose captain, in 1781, had thrown overboard sick and dying enslaved people so that he could collect insurance money only available for those "lost at sea." Turner captures the horror of the event and the terrifying grandeur of nature through hot, churning color and light that merge sea and sky. The critic John Ruskin, the first owner of "Slave Ship," wrote, "If I were reduced to rest Turner's immortality upon any single work, I should choose this."
When Turner exhibited this picture at the Royal Academy in 1840, he paired it with the following extract from his unfinished and unpublished poem "Fallacies of Hope" (1812):
"Aloft all hands, strike the top-masts and belay;
Yon angry setting sun and fierce-edged clouds
Declare the Typhon's coming.
Before it sweeps your decks, throw overboard
The dead and dying - ne'er heed their chains
Hope, Hope, fallacious Hope!
Where is thy market now?"
For the full text of Turner's verse see A. J. Finberg, "The Life of J.M.W. Turner," R.A., 2nd ed., 1961, p. 474
ProvenanceConsigned by the artist to his dealer, Thomas Griffith (b. 1795); December, 1843, sold by Griffith to John James Ruskin (b. 1785 - d. 1864), London, for his son, John Ruskin (b. 1819 - d. 1900) [see note 1]; April 15, 1869, Ruskin sale, Christie's, London, lot 50, unsold; 1872, sold by Ruskin, through William T. Blodgett (b. about 1832 - d. 1875), New York, to John Taylor Johnston (b. 1820 - d. 1893), New York [see note 2]; December 19-22, 1876, Johnston sale, American Art Association, New York, lot 76, to Alice Sturgis Hooper (b. 1841 - d. 1879), Boston [see note 3]; by descent to her nephew, William Sturgis Hooper Lothrop, Boston; 1899, sold by William Lothrop to the MFA for $65,000. (Accession Date: February 24, 1899)
Text from: collections.mfa.org/objects/31102/slave-ship-slavers-throwing-overboard-the-dead-and-dying-t
Joseph Mallord William Turner (English, 1775–1851)
1840
Medium/Technique: Oil on canvas
Dimensions 90.8 x 122.6 cm (35 3/4 x 48 1/4 in.)
Credit Line Henry Lillie Pierce Fund
Accession Number: 99.22
Collections: Europe
Classifications: Paintings
One of Turner's most celebrated works, "Slave Ship" is a striking example of the artist's fascination with violence, both human and elemental. He based the painting on an 18th-century poem that described a slave ship caught in a typhoon and on the true story of the Zong, a British ship whose captain, in 1781, had thrown overboard sick and dying enslaved people so that he could collect insurance money only available for those "lost at sea." Turner captures the horror of the event and the terrifying grandeur of nature through hot, churning color and light that merge sea and sky. The critic John Ruskin, the first owner of "Slave Ship," wrote, "If I were reduced to rest Turner's immortality upon any single work, I should choose this."
When Turner exhibited this picture at the Royal Academy in 1840, he paired it with the following extract from his unfinished and unpublished poem "Fallacies of Hope" (1812):
"Aloft all hands, strike the top-masts and belay;
Yon angry setting sun and fierce-edged clouds
Declare the Typhon's coming.
Before it sweeps your decks, throw overboard
The dead and dying - ne'er heed their chains
Hope, Hope, fallacious Hope!
Where is thy market now?"
For the full text of Turner's verse see A. J. Finberg, "The Life of J.M.W. Turner," R.A., 2nd ed., 1961, p. 474
ProvenanceConsigned by the artist to his dealer, Thomas Griffith (b. 1795); December, 1843, sold by Griffith to John James Ruskin (b. 1785 - d. 1864), London, for his son, John Ruskin (b. 1819 - d. 1900) [see note 1]; April 15, 1869, Ruskin sale, Christie's, London, lot 50, unsold; 1872, sold by Ruskin, through William T. Blodgett (b. about 1832 - d. 1875), New York, to John Taylor Johnston (b. 1820 - d. 1893), New York [see note 2]; December 19-22, 1876, Johnston sale, American Art Association, New York, lot 76, to Alice Sturgis Hooper (b. 1841 - d. 1879), Boston [see note 3]; by descent to her nephew, William Sturgis Hooper Lothrop, Boston; 1899, sold by William Lothrop to the MFA for $65,000. (Accession Date: February 24, 1899)
Text from: collections.mfa.org/objects/31102/slave-ship-slavers-throwing-overboard-the-dead-and-dying-t
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2026
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
X
Sign-in to write a comment.