desire draft
toskana 1991
toskana 1991
1 life session 4-30-09
Those socks gotta be here somewhere!!!
2 life session 4-30-09
Planning Commissioner King's Sketch For Desert Vie…
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Detail of a Child's Drawing of Medusa on a Reprodu…
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Wartime grafitti
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Hotel San Carlos water feature (5537)
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Tomochan
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DHS Community Health & Wellness Center rendering
Sketching
Lavilliers
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駄洒落 (Joke)
Jazz
Reconstruction Drawing of the Ishtar Temple at Ash…
lunettes lunacy
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walk the line
28 days of fish: 26-28
28 days of fish: 5-8
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elche-apfelringe-2
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Chalked cat
Drawing the Coliseum
drawing a cork drawer
draw a line
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Reconstruction Drawing of a Statue of Trebonianus…
Reconstruction Drawing of a Statue of a Bearded He…
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Power/Superpower
Writing on the wall
Sketch
Roman boy and his mother in the Museum of London
Substitute
Age 18: Graduation
Muralling (well it should be a word)
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Reconstruction Drawing of the Crouching Aphrodite Statue in the Metropolitan Museum of Art, May 2008
Photograph of the reconstruction drawing on the museum label.
Marble Statue of a Crouching Aphrodite
Roman, Imperial period, 1st or 2nd century AD
Copy of a Greek statue of the 3rd century BC
Both ankles and most of the feet are modern restorations
Accession # 09.221.1
The nude goddess was shown in a complex twisting pose, crouching at her bath and turning toward a playful Eros behind her. As with many Hellenistic works, the viewer is invited to circle the statue and to enjoy it from all sides. While the original was probably an important votive dedication in a sanctuary, the Roman copies were primarily decorative works placed in private villas or public baths.
Text from the Metropolitan Museum of Art label.
Marble Statue of a Crouching Aphrodite
Roman, Imperial period, 1st or 2nd century AD
Copy of a Greek statue of the 3rd century BC
Both ankles and most of the feet are modern restorations
Accession # 09.221.1
The nude goddess was shown in a complex twisting pose, crouching at her bath and turning toward a playful Eros behind her. As with many Hellenistic works, the viewer is invited to circle the statue and to enjoy it from all sides. While the original was probably an important votive dedication in a sanctuary, the Roman copies were primarily decorative works placed in private villas or public baths.
Text from the Metropolitan Museum of Art label.
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