Paper Negatives
I am in the process of writing an article about this process for those who are unfamiliar with the concept and possibilities. www.ipernity.com/blog/kiwivagabond/501429
There is of course the historical process of paper negatives and more contemporary styles of shooting with paper in your camera instead of film and processing that in a traditional darkroom process.
There is of course the historical process of paper negatives and more contemporary styles of shooting with paper in your camera instead of film and processing that in a traditional darkroom process.
Poplars
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Silver gelatin paper negative process. Tetenal Vario 8 x 10 matt paper, Sinar P 8 x 10 camera. Rodenstock 360mm lens on Sinar shutter
Jacob's Ladder
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Silver gelatin paper negative process. Tetenal Vario 8 x 10 matt paper, Sinar P 8 x 10 camera. Fujinon 300 mm W lens
You Know Who You Messin'
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Silver gelatin paper negative scanned , inverted...then digitally kissed gently if at all needed in Nik Silver FX and PS CC. Vintage Ernmann 5 x 7 LF Camera, Lense 1944 7" F 2.5 Kodak Aero Ektar. Tetenal paper for negative developed in Moersch Eco 4812. These are shots from my first day of using this lense.
No Mans Land
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Silver gelatin paper negative scanned , inverted...then digitally kissed gently if at all needed in Nik Silver FX and PS CC. Vintage Ernmann 5 x 7 LF Camera, Lense 1944 7" F 2.5 Kodak Aero Ektar. Tetenal paper for negative developed in Moersch Eco 4812. These are shots from my first day of using this lense.
This lense has come to life as if re-incarnated in contemporary times as a portrait lense on a Speed Graphic, that's where the cool seems to be. I realised that my use here is maybe back to some kind of close to its intended purpose..........not landscapes.....but the whole aerial photography thing, (I know this image is far from aerial). I like what it does. I really do.
Looking For Trouble
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Silver gelatin paper negative scanned , inverted... Vintage Ernmann 5 x 7 LF Camera, Lense 1944 7" F 2.5 Kodak Aero Ektar. Tetenal paper for negative developed in Moersch Eco 4812. These are shots from my first day of using this lense.
This lense has come to life as if re-incarnated in contemporary times as a portrait lense on a Speed Graphic, that's where the cool seems to be. I realised that my use here is maybe back to some kind of close to its intended purpose..........not landscapes.....but the whole aerial photography thing, (I know this image is far from aerial). I like what it does. I really do.
Trouble In The Fields
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Silver gelatin paper negative scanned , inverted.... Vintage Ernmann 5 x 7 LF Camera, Lense 1944 7" F 2.5 Kodak Aero Ektar. Tetenal paper for negative developed in Moersch Eco 4812. These are shots from my first day of using this lense.
This lense has come to life as if re-incarnated in contemporary times as a portrait lense on a Speed Graphic, that's where the cool seems to be. I realised that my use here is maybe back to some kind of close to its intended purpose..........not landscapes.....but the whole aerial photography thing, (I know this image is far from aerial). I like what it does. I really do.
Trouble In The Fields
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Silver gelatin paper negative scanned , inverted.... Vintage Ernmann 5 x 7 LF Camera, Lense 1944 7" F 2.5 Kodak Aero Ektar. Tetenal paper for negative developed in Moersch Eco 4812. These are shots from my first day of using this lense.
This lense has come to life as if re-incarnated in contemporary times as a portrait lense on a Speed Graphic, that's where the cool seems to be. I realised that my use here is maybe back to some kind of close to its intended purpose..........not landscapes.....but the whole aerial photography thing, (I know this image is far from aerial). I like what it does. I really do.
Fancy Pants
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Silver gelatin paper negative scanned , inverted.... Vintage Ernmann 5 x 7 LF Camera, Lense 1944 7" F 2.5 Kodak Aero Ektar. Tetenal paper for negative developed in Moersch Eco 4812. These are shots from my first day of using this lense.
This lense has come to life as if re-incarnated in contemporary times as a portrait lense on a Speed Graphic, that's where the cool seems to be. I realised that my use here is maybe back to some kind of close to its intended purpose..........not landscapes.....but the whole aerial photography thing, (I know this image is far from aerial). I like what it does. I really do.
Rodin Remembered
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Silver gelatin paper negative scanned and inverted. Calumet CC-401 4 x 5 Vintage 1942 Wollensak Graflex Optar 6 3/8" f 4.5. Tetenal paper for negative,
Jake The Peg
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Silver gelatin paper negative scanned and inverted. Calumet CC-401 4 x 5 Vintage 1942 Wollensak Graflex Optar 6 3/8" f 4.5. Tetenal paper for negative,
Nude Descending Staircase
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Tetenal Vario Matt silver gelatin 5 x 7 paper negative process. Taken on my Ernmann using an1898 Ross Anastigmat. Negative developed in expired Ilford Multigrade. Scanned and levels adjusted and slight curve added. Kissed gently in Nik Silver FX.
Woolleys Bay
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Silver gelatin paper negative scanned and inverted. Calumet CC-401 4 x 5 . 1942 Vintage Graflex Optar 6 3/8" f 4.5. Tetenal Vario matt paper for negative. I have some serious dust issues with the new holders for this camera or it could be my new darkroom being a bit dusty now I have air being sucked in as well as expelled. Some light leak issues as well....But hey...I still like it.
Before The Lawn Was Mown
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Silver gelatin paper negative scanned and inverted. Calumet CC-401 4 x 5 . 1942 Vintage Graflex Optar 6 3/8" f 4.5. Tetenal Vario matt paper for negative,
In The Evening Light
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Silver gelatin paper negative scanned and inverted. Calumet CC-401 4 x 5 . 1942 Vintage Graflex Optar 6 3/8" f 4.5. Tetenal Vario matt paper for negative,
A Line In The Sand
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Silver gelatin paper negative scanned and inverted. Calumet CC-401 4 x 5 . 1942 Vintage Graflex Optar 6 3/8" f 4.5. Tetenal Vario matt paper for negative,
On A Bleak Day There Is A Way Out
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Silver gelatin paper negative scanned and inverted. Calumet CC-401 4 x 5 . 1942 Vintage Graflex Optar 6 3/8" f 4.5. Tetenal vario matt paper for negative,
The View From Robin Hoods Window
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Silver gelatin paper negative scanned and inverted. Calumet CC-401 4 x 5 . 1942 Vintage Graflex Optar 6 3/8" f 4.5. Tetenal Vario matt paper for negative. I have some serious dust issues with the new holders for this camera or it could be my new darkroom being a bit dusty now I have air being sucked in as well as expelled....But hey...I still like it.
Punch And Judy Still Life Storm Coming
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© Graham Hughes 2016
All Rights Reserved
Silver gelatin paper negative process. Ernemann Globus 5 x 7 LF Camera. Brass projection lense ...which I can't remember...maybe an element, maybe an intact Ernemann projection lense. Tetenal Vario matt paper for the negatives. Moersch Eco paper developer. Scanned, inverted and processed gently using Nik Silver FX.
Shot @Gallery259 late one Sunday afternoon after the talking had stopped and the people had gone, I got to finally do some photography.
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