Paper Negatives
I am in the process of writing an article about this process for those who are unfamiliar with the concept and possibilities. www.ipernity.com/blog/kiwivagabond/501429
There is of course the historical process of paper negatives and more contemporary styles of shooting with paper in your camera instead of film and processing that in a traditional darkroom process.
There is of course the historical process of paper negatives and more contemporary styles of shooting with paper in your camera instead of film and processing that in a traditional darkroom process.
The Still Life
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8 x 10 silver gelatin paper negative on well expired Kodak glossy paper.
Developed in Ilford Multigrade 1: 25 Camera : Vintage 1900s stuidio camera. Lens. Vintage Voigtlander No.5 brass lense circa 1884-85.
Excuse the development marks...and I may still have some light leak issues to sort......they will be holder or darkroom issues. Slowly narrowing it down....This was also developed in the same trays I use for xray film that have a sheet of glass that is too big for the tray to sit flat on the bottom....hence on the bottom edge the developer is not very deep, and when I flip the paper seconds not covered may make those marks.....need to cut different glass...or mix up more then my 1litre for the tray..........I am sure this is part of the issue even tho we are diluted @ 1 : 25
The Parting Glass.
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Silver gelatin print from a 8 x 10" silver gelatin paper negative. Vintage studio camera with a J Lancaster & Son Rectigraph lense . Camera vintage 8 x 10 french studio camera. I taped paper to glass in a wet plate holder. Print on Kodak Medium Weight Projection 84 paper. Well expired. Developed in Ilford Multigrade 1 : 25. Exposed for 2mins. Scanned print.
Wind Dancers
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Silver gelatin print from a 6 x 11" silver gelatin paper negative. Taken with an 1880ish 26" Bertiot in a Dark Art 14 x 14 Tailboard camera. Print on Kodak Medium Weight Projection 84 paper. Well expired. Developed in Ilford Multigrade 1 : 25. Exposed for 2mins. Scanned print.
Woman At The Well
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Silver gelatin paper negative process. (expired) Sinar F 4 x 5. Sorry forget which lense.
Fallen Angels No.2
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Silver gelatin paper negative process. (expired) Sinar F 4 x 5. Sorry forget which lense.
Fallen Angels
The Visitation
Madonna
Dancing At Dusk
Trouble In The Fields
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Silver gelatin paper negative process. 8 x 10 neg. Dark Arts 14 x 14 Camera. Tetenal vario 5 matt paper. Vintage 1860-80 Berthiot lens. Scanned and gently kissed gently in NIk Silver FX. Unfortunately this was the day I discovered some light leak issues still to be sorted.
Trouble In The Fields
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Silver gelatin paper negative process. 8 x 10 neg. Dark Arts 14 x 14 Camera. Tetenal vario 5 matt paper. Vintage 1860-80 Berthiot lens. Scanned and gently kissed gently in NIk Silver FX.
Trouble In The Fields
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Silver gelatin paper negative process. 8 x 10 neg. Dark Arts 14 x 14 Camera. Tetenal vario 5 matt paper. Schnieder Symar360 lens. Scanned and gently kissed gently in NIk Silver FX.
Before The Fall
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Silver gelatin paper negative process. Sinar P 8 x 10 Cam. 8 x 10 neg Tetenal vario 5 matt paper. Vintage 1898 Ross CZ Convertible Anastigmat lens. Shot at f8. This is the same lense Henry Winkelmann used at times. (early NZ photographer)Developed Ilford Multigrade. Kissed gently in NIk FX
Home Coming 2-4-018
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Silver gelatin paper negative process. 8 x 10 neg. Sinar P 8 x 10 Cam, Schneider Symmar 360mm lense, Tetenal Vario 5 matt paper. Scanned and gently kissed in Nik Silver Fx
Trouble In The Fields
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Siver gelatin paper negative process. 8 x 10 neg. Sinar P 8 x 10 Cam, Schnieder Symmar 360mm lense, Tetenal Vario 5 matt paper. Scanned and gently kissed in Nik Silver Fx
Trouble In The Fields
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Siver gelatin paper negative process. 8 x 10 neg. Sinar P 8 x 10 Cam, Schnieder Symmar 360mm lense, Tetenal Vario 5 matt paper. Scanned and gently kissed in Nik Silver Fx
Trouble In The Fields
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Siver gelatin paper negative process. 8 x 10 neg. Sinar P 8 x 10 Cam, Schnieder Symmar 360mm lense, Tetenal Vario 5 matt paper. Scanned and gently kissed in Nik Silver Fx
Light Storm Sector #5
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Silver gelatin paper negative process. Ernmann Globus 5 x 7 LF Camera.Tetenal vario 5 matt paper. Vintage 1898 Ross CZ Convertible Anastigmat lens. Scanned and gently kissed gently in NIk Silver FX
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