Batterie Todt
Batterie Todt
Batterie Todt magazine swastika
Batterie Todt magazine swastika
Batterie Todt
Batterie Todt
Batterie Todt
Batterie Todt
Batterie Todt, flooded gun chamber
Batterie Todt
Batterie Todt
Batterie Todt, flooded gun chamber
Batterie Todt, flooded gun chamber
Batterie Todt
Batterie Todt, flooded gun chamber
Work on the Station Square tunnel – again
Concrete, rust and cobwebs
World Peas – Phoenixville, Pennsylvania
Peace and Light Bus Shelter – Bethlehem, Pennsylva…
Concrete
Béton brut
Concrete delivery for the new bicycle parking
Concrete delivery for the new bicycle parking
Concrete delivery for the new bicycle parking
Concrete delivery for the new bicycle parking
Concrete delivery for the new bicycle parking: flo…
Pouring concrete
Pouring concrete
Pouring concrete
Pouring concrete: there are those who work and the…
Pouring concrete
Lunch break
Car parkhitechture
Batterie Todt, gun aperture roof
Batterie Todt, looking in
Batterie Todt — no observation without affecting
Batterie Todt — no observation without affecting
Batterie Todt, looking in
Batterie Todt — the gun aperture
Batterie Todt (shot 1 of 23)
A study in concrete
8 against 6 billion
Under the fly-over
Frailty
Kostolac tower
High Noon on Stony Brook Footbridge
Lovely dappled sunlight
Freshly Painted Planter
Concrete manufacturers Kern & Field in Portland, O…
Pouring new concrete in front of the Mauritshuis i…
Fuzzy DNA
Miscellaneous Stuff
concrete
sculpture
cool
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Batterie Todt hinges
In the Batterie Todt, number 4 bunker, near Calais — once a German gun which could fire far enough to reach England.
Found, by chance, with refreshing lack of healh-and-safety mania, or indeed "restoration".
This whole place was a really powerful antidote to the experience I had at Oradour (see later in this set) where the well-intentioned "preservation" of the place had robbed it of all emotion for me.
Found, by chance, with refreshing lack of healh-and-safety mania, or indeed "restoration".
This whole place was a really powerful antidote to the experience I had at Oradour (see later in this set) where the well-intentioned "preservation" of the place had robbed it of all emotion for me.
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