Weeds turned Horses
The Bandersnatch fled as the others appeared
From Doré's Root to Holiday's Rat
Holiday - Millais - Anonymous - Galle
Holiday - Millais - Anonymous - Galle
Kerchiefs and other shapes
Star and Tail
The Bellman and Sir Henry Lee
Inspiration by Reinterpretation
The Bellman and Father Time
Crossing the Line
While he rattled a couple of bones
While he rattled a couple of bones
IT WAS A BOOJUM
Ditchley Snark
The Butcher and Benjamin Jowett
"But if ever I meet with a Boojum, that day, I sha…
Hidden Carrol
Bard and Bellman
Gnarly Monstrance
42 Boxes meet the Iconoclasts
6 Sources to the Beaver's Lesson
The Boojum sitting on some of the 42 boxes
The Snark in your Dreams
Bellman & Bard
Bellman & Bard
Bellman & Bard after retinex filtering
The Broker's and the Monk's Nose (with a little he…
Monster Nose
The Monster in the Branches
Carpenters Shop and Millais' Allusions
Two Noses
So great was his fright that his waistcoat turned…
Holiday and Gheeraerts I
Doré (1863), Holiday (1876), Doré (1866)
Henry Holiday alluding to John Martin
A Nose Job
Anne Hale Mrs. Hoskins
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Weeds turned Horses (BW)
Dithered B&W graphics, optimized fpr printing:
105 x 82 mm at 1200 dpi or 210 x 164 mm at 600 dpi
(1) Henry Holiday: "The Vanishing"
Illustration to Lewis Carroll's "The Hunting of the Snark" (1876), lower half
(2) John Martin: "The Bard" (detail)
commons.wikimedia.org/wiki/File:John_Martin_-_The_Bard_-_Google_Art_Project.jpg
ca. 1817
Yale Center for British Art
Based on a Thomas Gray poem, inspired by a Welsh tradition that said that Edward I had put to death any bards he found, to extinguish Welsh culture; the poem depicts the escape of a single bard.
105 x 82 mm at 1200 dpi or 210 x 164 mm at 600 dpi
(1) Henry Holiday: "The Vanishing"
Illustration to Lewis Carroll's "The Hunting of the Snark" (1876), lower half
(2) John Martin: "The Bard" (detail)
commons.wikimedia.org/wiki/File:John_Martin_-_The_Bard_-_Google_Art_Project.jpg
ca. 1817
Yale Center for British Art
Based on a Thomas Gray poem, inspired by a Welsh tradition that said that Edward I had put to death any bards he found, to extinguish Welsh culture; the poem depicts the escape of a single bard.
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John Martin
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