Biron - Saint-Eutrope / Notre-Dame
Biron - Saint-Eutrope / Notre-Dame
Vouvant - Notre-Dame
Saint-Jouin-de-Marnes - Abbey Church
Tudela - Catedral de Santa Maria
Sangüesa - Santa María la Real
Sangüesa - Santa María la Real
Sos del Rey Católico - Iglesia de San Esteban
Jaca - Catedral de San Pedro
Huesca - San Pedro el Viejo
Beaulieu-sur-Dordogne - Saint-Pierre
Montmorillon - Octagon
Montmorillon - Octagon
Montmorillon - Octagon
Bourges Cathedral
Hastingues - Abbaye d'Arthous
Logroño - San Bartolomé
Vezelay - Basilique Sainte-Marie-Madeleine
Biron - Saint-Eutrope / Notre-Dame
Regensburg - Schottenkloster St. Jakob
Loro Ciuffenna - Pieve di San Pietro a Gropina
Provins - Saint-Ayoul
Autun - Cathédrale Saint-Lazare
Sireuil - Saint-Orient
Brive-la-Gaillarde - Collégiale Saint-Martin
Brive-la-Gaillarde - Collégiale Saint-Martin
Bouhet - Saint-Laurent
Brilon - St. Petrus und Andreas (PiP)
Soest - Hohnekirche
Aulnay - Saint-Pierre
Monte Sant'Angelo - Tomba di Rotari
La Seu d’Urgell - Cathedral of Santa Maria
Mosteiro de Leça do Balio
Ourense - Catedral de Ourense
Castelviel - L'église Notre-Dame
Maria Laach Abbey
Regensburg - Schottenkloster St. Jakob
Perrecy-les-Forges - Saint-Pierre-et-Saint-Benoît
Blesle - St. Piere
Arles - Saint-Trophime
Vienne - Cathedral St. Maurice
Plettenberg - Christuskirche
Charlieu - L’abbaye Saint-Fortuné
Brioude - Saint-Julien
Semur-en-Brionnais - Saint-Hilaire
Semur-en-Brionnais - Saint-Hilaire
Langogne - St. Gervais et Protais
Girona - Cathedral of Saint Mary
Blesle - St. Piere
Langogne - St. Gervais et Protais
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Castelviel - L'église Notre-Dame
This church, in the center of an old graveyard, dates back to the 12th century. The apse is dated ca. 1130. The portal, seen here was created 1150/1160. The church got modified a couple of times over the century - and restored within the 19th century.
Léo Drouyn, regional artist, collegue of Viollet-le-Duc and rediscoverer of the Romanesque art, described these arches as the "most beautiful pieces of Romanesque sculpture within the department". Two structures have surely influenced the masters, working in Castelviel. These are the former abbeys "Saint-Maurice de Blasimon" and "La Sauve-Majeure", both not far away.
This portal is carved in a typical style, found in the Gironde, the Saintonge, the Charente and the Poitou, carved from a soft, white (unfortunately weathering) stone. There is no tympanum, but many archivolts and capitals.
This is the same capital, as seen before. It has three Luxuriae, not one. Two are seen from this pov. To "repeat" and icon and so creating a string is very typical for this artistic style. Though a string of three icons is pretty short..
Léo Drouyn, regional artist, collegue of Viollet-le-Duc and rediscoverer of the Romanesque art, described these arches as the "most beautiful pieces of Romanesque sculpture within the department". Two structures have surely influenced the masters, working in Castelviel. These are the former abbeys "Saint-Maurice de Blasimon" and "La Sauve-Majeure", both not far away.
This portal is carved in a typical style, found in the Gironde, the Saintonge, the Charente and the Poitou, carved from a soft, white (unfortunately weathering) stone. There is no tympanum, but many archivolts and capitals.
This is the same capital, as seen before. It has three Luxuriae, not one. Two are seen from this pov. To "repeat" and icon and so creating a string is very typical for this artistic style. Though a string of three icons is pretty short..
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