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Madonna and Child in the Manner of Donatello in the Metropolitan Museum of Art, March 2011
Title: Madonna and Child
Artist: School of Donatello (Italian, Florence ca. 1386–1466 Florence)
Date: 15th century
Culture: Italian
Medium: Figures: terracotta, polychromed and gilded; later background: wood, painted to represent brocade; frame: carved and painted, mouldings gilt
Dimensions: Overall: 30 × 20 1/2 in. (76.2 × 52.1 cm)
Classification: Sculpture
Credit Line: Bequest of Benjamin Altman, 1913
Accession Number: 14.40.680
Sheltering the Christ-child beneath her cloak, Mary presses her check against his head. Her loving gesture identifies her as the Virgin of Tenderness (Eleusa) a sacred type that derives from Byzantine painted icons.
This terracotta relief was created from wet clay that was fired in a kiln, and subsequently embellished with gilding and bright colors. Sculptures such as these contributed to the richly hued, textured effects typical of ecclesiastical and domestic Renaissance interiors.
Text from: www.metmuseum.org/art/collection/search/192721
Artist: School of Donatello (Italian, Florence ca. 1386–1466 Florence)
Date: 15th century
Culture: Italian
Medium: Figures: terracotta, polychromed and gilded; later background: wood, painted to represent brocade; frame: carved and painted, mouldings gilt
Dimensions: Overall: 30 × 20 1/2 in. (76.2 × 52.1 cm)
Classification: Sculpture
Credit Line: Bequest of Benjamin Altman, 1913
Accession Number: 14.40.680
Sheltering the Christ-child beneath her cloak, Mary presses her check against his head. Her loving gesture identifies her as the Virgin of Tenderness (Eleusa) a sacred type that derives from Byzantine painted icons.
This terracotta relief was created from wet clay that was fired in a kiln, and subsequently embellished with gilding and bright colors. Sculptures such as these contributed to the richly hued, textured effects typical of ecclesiastical and domestic Renaissance interiors.
Text from: www.metmuseum.org/art/collection/search/192721
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