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Detail of the Nativity by Gerard David in the Metropolitan Museum of Art, January 2022
Title: The Nativity
Artist: Gerard David (Netherlandish, Oudewater ca. 1455–1523 Bruges)
Date: early 1480s
Medium: Oil on wood
Dimensions: Overall 18 3/4 x 13 1/2 in. (47.6 x 34.3 cm), painted surface 18 1/2 x 13 3/8 in. (47 x 34 cm)
Classification: Paintings
Credit Line: The Friedsam Collection, Bequest of Michael Friedsam, 1931
Accession Number: 32.100.40a
This painting, which most likely was intended as a single, private devotional panel, combines the depiction of the Nativity and the Adoration of the Shepherds as described in both biblical and mystical literature. It probably dates from the early 1480s, before David established himself in Bruges. The homely and naive figure types and the geometric simplification of the heads of the Virgin and angels reflect models the artist knew from his early training in the northern Netherlands. Already present is the characteristic combination of serene landscape, simple architectural setting, and meditative figures that would contribute to the painter’s popularity.
Text from: www.metmuseum.org/art/collection/search/436100
Artist: Gerard David (Netherlandish, Oudewater ca. 1455–1523 Bruges)
Date: early 1480s
Medium: Oil on wood
Dimensions: Overall 18 3/4 x 13 1/2 in. (47.6 x 34.3 cm), painted surface 18 1/2 x 13 3/8 in. (47 x 34 cm)
Classification: Paintings
Credit Line: The Friedsam Collection, Bequest of Michael Friedsam, 1931
Accession Number: 32.100.40a
This painting, which most likely was intended as a single, private devotional panel, combines the depiction of the Nativity and the Adoration of the Shepherds as described in both biblical and mystical literature. It probably dates from the early 1480s, before David established himself in Bruges. The homely and naive figure types and the geometric simplification of the heads of the Virgin and angels reflect models the artist knew from his early training in the northern Netherlands. Already present is the characteristic combination of serene landscape, simple architectural setting, and meditative figures that would contribute to the painter’s popularity.
Text from: www.metmuseum.org/art/collection/search/436100
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