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Detail of John Brown by John Steuart Curry in the Metropolitan Museum of Art, February 2020
John Brown
1939
John Steuart Curry American
Object Details
Title: John Brown
Artist: John Steuart Curry (American, Dunavant, Kansas 1897–1946 Madison, Wisconsin)
Date: 1939
Medium: Oil on canvas
Dimensions: 69 x 45 in. (175.3 x 114.3 cm)
Classification: Paintings
Credit Line: Arthur Hoppock Hearn Fund, 1950
Accession Number: 50.94.1
Throughout the 1930s, Curry, a native of Kansas, was closely associated with Thomas Hart Benton as a member of the artistic movement known as Regionalism. This large painting by Curry is a large study for the artist’s mural in the rotunda of the Kansas State Capitol. One of the most compelling and controversial figures in nineteenth-century American history, John Brown devoted his life to opposing the extension of slavery in the 1850s into the Kansas Territory in battles that presaged the Civil War, which began in 1861. Curry depicted Brown larger-than-life in an open, stark landscape besieged by a tornado, a meteorological symbol for the conflict, and with an enslaved man at his side. The abolitionist’s crazed expression and animated hair and beard suggest the messianic fervor that fueled his opposition to human bondage.
Text from: www.metmuseum.org/art/collection/search/488649
1939
John Steuart Curry American
Object Details
Title: John Brown
Artist: John Steuart Curry (American, Dunavant, Kansas 1897–1946 Madison, Wisconsin)
Date: 1939
Medium: Oil on canvas
Dimensions: 69 x 45 in. (175.3 x 114.3 cm)
Classification: Paintings
Credit Line: Arthur Hoppock Hearn Fund, 1950
Accession Number: 50.94.1
Throughout the 1930s, Curry, a native of Kansas, was closely associated with Thomas Hart Benton as a member of the artistic movement known as Regionalism. This large painting by Curry is a large study for the artist’s mural in the rotunda of the Kansas State Capitol. One of the most compelling and controversial figures in nineteenth-century American history, John Brown devoted his life to opposing the extension of slavery in the 1850s into the Kansas Territory in battles that presaged the Civil War, which began in 1861. Curry depicted Brown larger-than-life in an open, stark landscape besieged by a tornado, a meteorological symbol for the conflict, and with an enslaved man at his side. The abolitionist’s crazed expression and animated hair and beard suggest the messianic fervor that fueled his opposition to human bondage.
Text from: www.metmuseum.org/art/collection/search/488649
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