Puppet Show at the Brooklyn Children's Museum, 200…
Judith Dressed as a Bird Mummer at the Brooklyn Ch…
Sancha Dressed as a Bird Mummer at the Brooklyn Ch…
Judith as the "Devil Duck" Mummer at the Huntingto…
Masked Guests Dancing at the Elizabethan Fairy Bal…
Masked Master Richard at the Elizabethan Fairy Bal…
Eularia at the Elizabethan Fairy Ball, June 2004
Marian and Targai Fencing at Queens Farm, Sept. 20…
Marian and Targai Fencing at Queens Farm, Sept. 20…
Fighters at Queens Farm, Sept. 2004
Sir Diablu at the Queens County Farm Fair Demo, Se…
Fighters at at the Queens County Farm Fair Demo, S…
Setting Up the Archery Target at Queens Farm, Sept…
Young Mummers at Queens Farm, Sept. 2004
Wench and "Captain" Jack Sparrow at the Fort Tryon…
Sancha as a Devil Mummer at the Fort Tryon Park Me…
Sancha as a Devil Mummer at the Fort Tryon Park Me…
SCA Fighters at the Agincourt Event in Ostgardr, N…
SCA Fighters at the Agincourt Event in Ostgardr, N…
SCA Fighters at the Agincourt Event in Ostgardr, N…
SCA Fencers at the Agincourt Event in Ostgardr, No…
SCA Fighters at the Agincourt Event in Ostgardr, N…
SCA Fencers at the Agincourt Event in Ostgardr, No…
SCA Fencers at the Agincourt Event in Ostgardr, No…
SCA Fencers at the Agincourt Event in Ostgardr, No…
SCA Fencers at the Agincourt Event in Ostgardr, No…
SCA Fencers at the Agincourt Event in Ostgardr, No…
SCA Fencers at the Agincourt Event in Ostgardr, No…
Judith as a Fox Mummer at the Fort Tryon Park Medi…
SCA Fencers at the Agincourt Event in Ostgardr, No…
Marian Fencing at the Fort Tryon Park Medieval Fes…
Fighters at the Peekskill Celebration, Aug. 2005
Fighters at the Peekskill Celebration, Aug. 2005
Ervald and Aaron Fighting at the Peekskill Celebra…
Marshall & Ervald at the Peekskill Celebration, Au…
Ervald and Aaron Fighting at the Peekskill Celebra…
Ervald and Aaron Fighting at the Peekskill Celebra…
Llywellan Demonstrates Fencing at the Queens Count…
Llywellan Demonstrates Fencing at the Queens Count…
Llywellan Demonstrates Fencing at the Queens Count…
Friedrich & Dionysia Shooting at the Queens County…
Judith Performing a Mummers' Trick at the Queens C…
Judith Performing a Mummers' Trick at the Queens C…
Judith as a "Fox" Mummer at the Queens County Farm…
Judith as a "Fox" Mummer at the Queens County Farm…
Andrea's Cooking Demo at the Fort Tryon Park Medie…
Alec & Alexandre Fencing at the Fort Tryon Park Me…
Alec & Alexandre Fencing at the Fort Tryon Park Me…
Judith Dressed as a Bird Mummer at the Fort Tryon…
Alec & Alexandre Fencing at the Fort Tryon Park Me…
Alec & Marian Fencing at the Fort Tryon Park Medie…
Alec & Marian Fencing at the Fort Tryon Park Medie…
Ervald at the Fort Tryon Park Medieval Festival, O…
Dancing Mummers at the Fort Tryon Park Medieval Fe…
Dancing Mummers at the Fort Tryon Park Medieval Fe…
Llewellyn at the Fort Tryon Park Medieval Festival…
Dancing Mummers at the Fort Tryon Park Medieval Fe…
Sancha as a "Devil" Mummer Squabbling with Judith…
Sancha as a "Devil" Mummer & Thomas at the Fort Tr…
Sancha as a "Devil" Mummer & Thomas at the Fort Tr…
Sancha as a "Devil" Mummer at the Fort Tryon Park…
Sancha as a "Devil" Mummer at the Fort Tryon Park…
Table & Ostgardr Banner at the Fort Tryon Park Med…
Sancha Dressed as a Devil Mummer at the Brooklyn C…
Targai Fencing at the Medieval Festival at the Hun…
Fighters at the Fort Tryon Park Medieval Festival,…
Fighters at the Fort Tryon Park Medieval Festival,…
Fighters at the Fort Tryon Park Medieval Festival,…
Candles and Candlesticks at the Broken Bridge Twel…
John the Bear and Viceroy Alexandre vs Avran and E…
John the Bear and Viceroy Alexandre vs Avran and E…
Avran and Lord Ervald Fighting at the Queens Count…
Viceroy Alexandre and Lord Ervald Fighting at the…
Viceroy Alexandre and Lord Ervald Fighting at the…
Viceroy Alexandre and Lord Ervald Fighting at the…
Viceroy Alexandre and Lord Ervald Fighting at the…
Viceroy Alexandre and Lord Ervald Fighting at the…
Viceroy Alexandre & Lord John the Bear Fighting at…
Viceroy Alexandre & Lord John the Bear Fighting at…
Viceroy Alexandre & Lord John the Bear Fighting at…
Viceroy Alexandre & Lord John the Bear Fighting at…
Lord Targai and Nicole Engaged in Archery at the Q…
Nicole Reclaiming Arrows at the Queens County Farm…
Archers Lady Griscin, Ryan, and Lord Chinua at the…
Lord Targai and Nicole Engaged in Archery at the Q…
Baron Ian's Tunic at the Queens County Farm Fair,…
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Mebdh as a Mummer at the Brooklyn Children's Museum, 2004
Taken with a throwaway camera.
There are two major branches to the tradition of the Mummers' Play (also known as mumming, and by various other regional names): firstly, the folk tradition of troupes of mummers performing theatre, sometimes in the street but more usually as house-to-house visits and in public houses; secondly, the more formal Christian Mystery plays.
No firm conclusions have been come to regarding the etymology of the word "mummer". It is usually believed to have originated from the Middle English word mum which means "silent" (suggesting that the plays were originally silent pantomimes), though some people have suggested a connection with mommo, the Greek word for "mask", or mumme, the Danish word for "mask". Other possible relationships exist with the words "murmur" and "mutter".
Mummers' and guisers' plays were formerly performed throughout most of Great Britain and Ireland, as well as in other English-speaking parts of the world including Newfoundland and Saint Kitts and Nevis. In England, there are a few surviving traditional teams, but there have been many revivals, often associated nowadays with Morris dance and Sword dance groups. Mummers and guisers can be traced back at least to the middle ages, though when the term "mummer" appears in ancient manuscripts it is rarely clear what sort of performance was involved. A key element was visiting people in disguise at Christmas. At one time, in the royal courts, special allegorical plays were written for the mummers each year - for instance at the court of Edward III, as shown in a 14th Century manuscript, now in the Bodleian Library, Oxford. However, apart from being in rhyme, these plays were nothing like the current traditional plays, whose documented history only goes back as far as the mid-18th century.
Although usually broadly comic performances, the plays seem to be based on underlying themes of duality and resurrection and generally involve a battle between two or more characters, perhaps representing good against evil. Usually they feature a doctor who has a magic potion which is able to resuscitate a slain character.
In mummers’ plays, the central incident is the killing and restoring to life of one of the characters. First, the characters are introduced in a series of short speeches in which each personage has his own introductory announcement; then comes the drama. The principal characters, presented in a wide variety of manner and style, are a Hero, his chief opponent and a quack Doctor; the defining feature of mumming plays is the Doctor, and the main purpose of the fight is to provide him with a patient to cure. The hero sometimes kills and sometimes is killed by his opponent; in either case, the doctor comes to restore the dead man to life.
The name of the hero is most commonly Saint George, King George, or Prince George. His principal opponents are the Turkish Knight (in southern England and Turkish Champion in Ireland), or a valiant soldier named Slasher (elsewhere). Other characters include: Old Father Christmas (who introduces some plays), Beelzebub, Little Devil Doubt (who demands money from the audience), Robin Hood (an alternative hero in the Cotswolds), Galoshin (a hero in Scotland), etc. Despite the frequent presence of Saint George, the Dragon rarely appears in these plays; the few instances can all be traced back to a Cornish script published by William Sandys in 1833.
Occasionally, the performers will wear face-obscuring hats or other kinds of headgear, which create the impression of being masked. More often, mummers' faces are blackened or painted red by way of disguise. Many mummers and guisers, however, have no facial disguise at all.
Local seasonal variants
Although the main season for mumming throughout Britain was around Christmas, some parts of England had plays performed around All Souls' Day (known as Souling or soul-caking) or Easter (Pace-egging). In north-eastern England the plays are traditionally associated with Sword dances or Rapper
There are two major branches to the tradition of the Mummers' Play (also known as mumming, and by various other regional names): firstly, the folk tradition of troupes of mummers performing theatre, sometimes in the street but more usually as house-to-house visits and in public houses; secondly, the more formal Christian Mystery plays.
No firm conclusions have been come to regarding the etymology of the word "mummer". It is usually believed to have originated from the Middle English word mum which means "silent" (suggesting that the plays were originally silent pantomimes), though some people have suggested a connection with mommo, the Greek word for "mask", or mumme, the Danish word for "mask". Other possible relationships exist with the words "murmur" and "mutter".
Mummers' and guisers' plays were formerly performed throughout most of Great Britain and Ireland, as well as in other English-speaking parts of the world including Newfoundland and Saint Kitts and Nevis. In England, there are a few surviving traditional teams, but there have been many revivals, often associated nowadays with Morris dance and Sword dance groups. Mummers and guisers can be traced back at least to the middle ages, though when the term "mummer" appears in ancient manuscripts it is rarely clear what sort of performance was involved. A key element was visiting people in disguise at Christmas. At one time, in the royal courts, special allegorical plays were written for the mummers each year - for instance at the court of Edward III, as shown in a 14th Century manuscript, now in the Bodleian Library, Oxford. However, apart from being in rhyme, these plays were nothing like the current traditional plays, whose documented history only goes back as far as the mid-18th century.
Although usually broadly comic performances, the plays seem to be based on underlying themes of duality and resurrection and generally involve a battle between two or more characters, perhaps representing good against evil. Usually they feature a doctor who has a magic potion which is able to resuscitate a slain character.
In mummers’ plays, the central incident is the killing and restoring to life of one of the characters. First, the characters are introduced in a series of short speeches in which each personage has his own introductory announcement; then comes the drama. The principal characters, presented in a wide variety of manner and style, are a Hero, his chief opponent and a quack Doctor; the defining feature of mumming plays is the Doctor, and the main purpose of the fight is to provide him with a patient to cure. The hero sometimes kills and sometimes is killed by his opponent; in either case, the doctor comes to restore the dead man to life.
The name of the hero is most commonly Saint George, King George, or Prince George. His principal opponents are the Turkish Knight (in southern England and Turkish Champion in Ireland), or a valiant soldier named Slasher (elsewhere). Other characters include: Old Father Christmas (who introduces some plays), Beelzebub, Little Devil Doubt (who demands money from the audience), Robin Hood (an alternative hero in the Cotswolds), Galoshin (a hero in Scotland), etc. Despite the frequent presence of Saint George, the Dragon rarely appears in these plays; the few instances can all be traced back to a Cornish script published by William Sandys in 1833.
Occasionally, the performers will wear face-obscuring hats or other kinds of headgear, which create the impression of being masked. More often, mummers' faces are blackened or painted red by way of disguise. Many mummers and guisers, however, have no facial disguise at all.
Local seasonal variants
Although the main season for mumming throughout Britain was around Christmas, some parts of England had plays performed around All Souls' Day (known as Souling or soul-caking) or Easter (Pace-egging). In north-eastern England the plays are traditionally associated with Sword dances or Rapper
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