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Glass Bowl Base with Miracle Scenes in the Metropolitan Museum of Art, January 2010
Gold Glass Bowl Base with Miracle Scenes
Roman or Byzantine, said to have been found in 1715 in the Roman catacomb of Saint Callisto
Made 350-400
Inscribed in Latin: "Live"
Accession # 16.174.2
Commemorations of the dead held at the deceased's tomb focused on bidding farewell to loved ones and praying for the pardon of their sins and for their salvation. The catacombs of Rome– underground burial chambers used by all religions in the late Roman and early Byzantine era– are a particularly rich source of early Christian imagery. These images express Christian hopes of salvation. Here a beardless man dressed in a toga and the inscription "Live" are framed by miracle scenes. Beginning at the top and moving clockwise, these are Christ saving the three Hebrews in the fiery furnace (Daniel 3), Christ healing the paralytic (Matthew 9:1-8), Tobias with the fish that the archangel Raphael advises him and will help restore his father's sight (Tobit 6), and Christ turning water into wine at Cana (John 2:3-10).
Text from the Metropolitan Museum of Art label.
and
Title: Bowl Base with Miracle Scenes
Date: ca. 350–400
Culture: Roman or Byzantine
Medium: Glass, gold leaf
Dimensions: Overall: Diam. 3/16 x 4 3/16 in. (0.5 x 10.7 cm)
Classification: Glass-Gold glass
Credit Line: Rogers Fund, 1916
Accession Number: 16.174.2
Signatures, Inscriptions, and Markings: Inscriptions: ZE/ES: "Live!"
Text from: www.metmuseum.org/works_of_art/collection_database/mediev...
Translate into English
Roman or Byzantine, said to have been found in 1715 in the Roman catacomb of Saint Callisto
Made 350-400
Inscribed in Latin: "Live"
Accession # 16.174.2
Commemorations of the dead held at the deceased's tomb focused on bidding farewell to loved ones and praying for the pardon of their sins and for their salvation. The catacombs of Rome– underground burial chambers used by all religions in the late Roman and early Byzantine era– are a particularly rich source of early Christian imagery. These images express Christian hopes of salvation. Here a beardless man dressed in a toga and the inscription "Live" are framed by miracle scenes. Beginning at the top and moving clockwise, these are Christ saving the three Hebrews in the fiery furnace (Daniel 3), Christ healing the paralytic (Matthew 9:1-8), Tobias with the fish that the archangel Raphael advises him and will help restore his father's sight (Tobit 6), and Christ turning water into wine at Cana (John 2:3-10).
Text from the Metropolitan Museum of Art label.
and
Title: Bowl Base with Miracle Scenes
Date: ca. 350–400
Culture: Roman or Byzantine
Medium: Glass, gold leaf
Dimensions: Overall: Diam. 3/16 x 4 3/16 in. (0.5 x 10.7 cm)
Classification: Glass-Gold glass
Credit Line: Rogers Fund, 1916
Accession Number: 16.174.2
Signatures, Inscriptions, and Markings: Inscriptions: ZE/ES: "Live!"
Text from: www.metmuseum.org/works_of_art/collection_database/mediev...
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