Look Mickey by Roy Lichtenstein in the National Ga…
House I by Roy Lichtenstein in the National Galler…
House I by Roy Lichtenstein in the National Galler…
House I by Roy Lichtenstein in the National Galler…
House I by Roy Lichtenstein in the National Galler…
Reverie by Roy Lichtenstein in the Metropolitan Mu…
Stepping Out by Roy Lichtenstein in the Metropolit…
Detail of Stepping Out by Roy Lichtenstein in the…
Galatea by Roy Lichtenstein in the Metropolitan Mu…
Galatea by Roy Lichtenstein in the Metropolitan Mu…
Imperfect Diptych by Lichtenstein in the Phillips…
Girl with Ball by Roy Lichtenstein in the Museum o…
Tire by Roy Lichtenstein in the Museum of Modern A…
Location
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
363 visits
Detail of Look Mickey by Roy Lichtenstein in the National Gallery, September 2009
Roy Lichtenstein (artist)
American, 1923 - 1997
Look Mickey, 1961
oil on canvas
overall: 121.9 x 175.3 cm (48 x 69 in.) framed: 123.5 x 176.9 x 5.1 cm (48 5/8 x 69 5/8 x 2 in.)
Dorothy and Roy Lichtenstein, Gift of the Artist, in Honor of the 50th Anniversary of the National Gallery of Art
1990.41.1
One of the key figures in the history of so-called pop art, Roy Lichtenstein shared with his contemporary Andy Warhol a fascination for the visual languages of printed mass media and consumer culture during the 1960s. Lichtenstein was especially preoccupied with cheap newspaper advertising and cartoon or comic book illustration, which he enlarged and transposed—making subtle alterations—directly into paint on canvas. At the time the simplistic narratives and boldly graphic visual mannerisms of comics and advertising were understood to resist the powerful postwar legacy of abstract expressionist painting—the highly subjective processes and grand claims for psychic content that characterized the work of Jackson Pollock, Mark Rothko, Willem de Kooning, and other New York School artists whose achievement had recently placed American art at the center of a world stage. Substituting the banalities of resolutely flat printed commercial imagery in black, white, red, yellow, and blue for layered, complex, rarefied efforts in large-scale abstraction, pop art, by implication, also challenged the conventional hierarchies of visual "art." Widely recognized as Lichtenstein's first painting to employ cartoon imagery, Look Mickey shows a scene adapted from the 1960 children's book Donald Duck Lost and Found. In Lichtenstein's transformation of the storybook illustration, the composition is simplified and rendered in the bold outlines and primary colors of a mass-produced image, making it appear even more "pop" than the original picture.
Text from: www.nga.gov/fcgi-bin/tinfo_f?object=71479
American, 1923 - 1997
Look Mickey, 1961
oil on canvas
overall: 121.9 x 175.3 cm (48 x 69 in.) framed: 123.5 x 176.9 x 5.1 cm (48 5/8 x 69 5/8 x 2 in.)
Dorothy and Roy Lichtenstein, Gift of the Artist, in Honor of the 50th Anniversary of the National Gallery of Art
1990.41.1
One of the key figures in the history of so-called pop art, Roy Lichtenstein shared with his contemporary Andy Warhol a fascination for the visual languages of printed mass media and consumer culture during the 1960s. Lichtenstein was especially preoccupied with cheap newspaper advertising and cartoon or comic book illustration, which he enlarged and transposed—making subtle alterations—directly into paint on canvas. At the time the simplistic narratives and boldly graphic visual mannerisms of comics and advertising were understood to resist the powerful postwar legacy of abstract expressionist painting—the highly subjective processes and grand claims for psychic content that characterized the work of Jackson Pollock, Mark Rothko, Willem de Kooning, and other New York School artists whose achievement had recently placed American art at the center of a world stage. Substituting the banalities of resolutely flat printed commercial imagery in black, white, red, yellow, and blue for layered, complex, rarefied efforts in large-scale abstraction, pop art, by implication, also challenged the conventional hierarchies of visual "art." Widely recognized as Lichtenstein's first painting to employ cartoon imagery, Look Mickey shows a scene adapted from the 1960 children's book Donald Duck Lost and Found. In Lichtenstein's transformation of the storybook illustration, the composition is simplified and rendered in the bold outlines and primary colors of a mass-produced image, making it appear even more "pop" than the original picture.
Text from: www.nga.gov/fcgi-bin/tinfo_f?object=71479
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.