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Detail of Where Do We Come From? What Are We? Where Are We Going? by Gauguin in the Boston Museum of Fine Arts, June 2010
Where Do We Come From? What Are We? Where Are We Going?
1897–98
Paul Gauguin, French, 1848–1903
Dimensions: Image: 139.1 x 374.6 cm (54 3/4 x 147 1/2 in.) Framed: 171.5 x 406.4 x 8.9 cm (67 1/2 x 160 x 3 1/2 in.)
Medium or Technique: Oil on canvas
Classification: Paintings
Type: Allegorical; Landscape; Nude; Oversize - Horizontal
Catalogue Raisonné: Wildenstein 561
Accession Number: 36.270
In 1891, Gauguin left France for Tahiti, seeking in the South Seas a society that was simpler and more elemental than that of his homeland. In Tahiti, he created paintings that express a highly personal mythology. He considered this work—created in 1897, at a time of great personal crisis—to be his masterpiece and the summation of his ideas. Gauguin's letters suggest that the fresco-like painting should be read from right to left, beginning with the sleeping infant. He describes the ...various figures as pondering the questions of human existence given in the title; the blue idol represents "the Beyond." The old woman at the far left, "close to death," accepts her fate with resignation.
Text from: www.mfa.org/collections/object/where-do-we-come-from-what...
1897–98
Paul Gauguin, French, 1848–1903
Dimensions: Image: 139.1 x 374.6 cm (54 3/4 x 147 1/2 in.) Framed: 171.5 x 406.4 x 8.9 cm (67 1/2 x 160 x 3 1/2 in.)
Medium or Technique: Oil on canvas
Classification: Paintings
Type: Allegorical; Landscape; Nude; Oversize - Horizontal
Catalogue Raisonné: Wildenstein 561
Accession Number: 36.270
In 1891, Gauguin left France for Tahiti, seeking in the South Seas a society that was simpler and more elemental than that of his homeland. In Tahiti, he created paintings that express a highly personal mythology. He considered this work—created in 1897, at a time of great personal crisis—to be his masterpiece and the summation of his ideas. Gauguin's letters suggest that the fresco-like painting should be read from right to left, beginning with the sleeping infant. He describes the ...various figures as pondering the questions of human existence given in the title; the blue idol represents "the Beyond." The old woman at the far left, "close to death," accepts her fate with resignation.
Text from: www.mfa.org/collections/object/where-do-we-come-from-what...
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