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Herding Cattle – Museum of Fine Arts, Boston, Massachusetts
While late Old Kingdom tombs had included limestone statuettes of people engaged in chores such as food preparation, a new development occurred during the First Intermediate Period and Middle Kingdom. Now, models made of wood, a less costly material, were manufactured in large numbers and placed in the burial chamber to furnish provisions for the deceased in the afterlife. In symbolically providing for the tomb owner's needs, the models functioned in much the same way as painted scenes of these ...activities did on the walls of tomb chapels.
The tomb of Djehutynakht contained what may be the largest collection of wooden models ever discovered in Egypt. At least thirty-nine of them, including these four, represent scenes of food production and crafts. Upon opening the tomb, however, archaeologists discovered that robbers had ransacked it in antiquity, possibly on more than one occasion, throwing the models haphazardly around the small burial chamber. Only through years of research and restoration are they being returned to their original configuration. The models vary greatly in quality, and many of them were mounted on pieces of wood recycled by the artists from old boxes or chests. The colorfully painted figures nevertheless convey a liveliness and energy that give us a sense of the bustling activities of Egyptian daily life. They also demonstrate innovative poses and subjects that would never have been attempted in the more formal sculptures that represented the tomb owner and his family.
Food production is the dominant theme among the model scenes, and a variety of activities are represented. A number of models feature scenes of cattle rearing. The recently restored model shown here depicts plump steers being driven - reluctantly it seems - to a cattle count or perhaps to slaughter. The artist has taken pains to include lifelike details so that the robust animals contrast dramatically with their slouched, weary, and balding keepers.
Toward the end of Dynasty 12 a change occurred in Egyptian burial customs for reasons that remain unclear. Although model boats continued to be placed in tombs, the scenes of crafts and food production disappeared permanently from the repertoire of funerary offerings. At approximately the same time, early versions of shawabtys, mummiform figurines intended to serve on behalf of the deceased in the afterlife, began to become more common in burials.
The tomb of Djehutynakht contained what may be the largest collection of wooden models ever discovered in Egypt. At least thirty-nine of them, including these four, represent scenes of food production and crafts. Upon opening the tomb, however, archaeologists discovered that robbers had ransacked it in antiquity, possibly on more than one occasion, throwing the models haphazardly around the small burial chamber. Only through years of research and restoration are they being returned to their original configuration. The models vary greatly in quality, and many of them were mounted on pieces of wood recycled by the artists from old boxes or chests. The colorfully painted figures nevertheless convey a liveliness and energy that give us a sense of the bustling activities of Egyptian daily life. They also demonstrate innovative poses and subjects that would never have been attempted in the more formal sculptures that represented the tomb owner and his family.
Food production is the dominant theme among the model scenes, and a variety of activities are represented. A number of models feature scenes of cattle rearing. The recently restored model shown here depicts plump steers being driven - reluctantly it seems - to a cattle count or perhaps to slaughter. The artist has taken pains to include lifelike details so that the robust animals contrast dramatically with their slouched, weary, and balding keepers.
Toward the end of Dynasty 12 a change occurred in Egyptian burial customs for reasons that remain unclear. Although model boats continued to be placed in tombs, the scenes of crafts and food production disappeared permanently from the repertoire of funerary offerings. At approximately the same time, early versions of shawabtys, mummiform figurines intended to serve on behalf of the deceased in the afterlife, began to become more common in burials.
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